I’m actually a little offended because if there were ever a male Strong Female Character
it’d be Nightwing
Isn’t that right Karen?
IM A LITTLE BITTER NEGL dick grayson was doing the strong female character thing IN CANON way before anyone knew who clint barton was but WHATEVER FANDOM
WHATEVER
did I mention this isn’t fanart
really printed
ACTUAL POSE IN AN ACTUAL COMIC BOOK
tits and ASS
gratuitous and inhuman
losing clothes since 1980something
yet fandom still decides that CLINT BARTON is a better male Strong Female Character than this flawless prince smh
idg why or how that snub happened but I am protesting it
WE ALL KNOW WHO THE REAL WINNER IS
and did I mention CANON because
CANON MALE STRONG FEMALE CHARACTER
CLEAR WINNER BY A LONG SHOT
DICK GRAYSON PERIOD THE END
I love Hawkeye, and the Hawkeye initiative, but this post never fails to crack me up.
Artists, what are you doing?
I
STRONGLY
AGREE
WITH
EVERYTHING.
Not to mention a villain actually says “I’d know that ass anywhere” when seeing Dick Grayson from behind.
We start with a slow pan down to Gotham as Oracle narrates
“Ask your average person who Gotham’s most famous citizen is, and you’ll get the same response every time: Bruce Wayne. Everybody’s heard of Bruce Wayne. You’ve probably heard his name a million times before. But there are some things that the average citizen doesn’t know about him. See, to the people of Gotham, Bruce Wayne is a rich kid who never grew up. They think he’s a buffoon, an airhead, a moron. But the truth is…”
*Batman bursts out of a window, screaming, on fire*
*record scratch, freeze frame*
“…they aren’t entirely wrong about that.”
EHEHEHEHEHEHEHEHE
This is then followed by a series of clips from interviews with various Gotham citizens, all of whom give humorously ironic descriptions of Bruce Wayne’s idiocy:
“Bruce Wayne? I hear the guy gets through a super-car every month! Replaces every one, just like that!”
*Cut to shot of the Batmobile flipping end-over-end after slamming into one of Bane’s APCs*
“Wayne? Please! The guy would probably have accidentally killed himself years ago if he didn’t have that butler to babysit him!”
*Cut to Alfred physically restraining Bruce from going out to fight Scarecrow while having a broken arm, a concussion, and the flu,*
“I bet he throws away cash like it grows on trees!”
*Cut to Batman shouting “Hey, Lucius! Ask R&D to make some kryptonite/Nth metal alloy baterangs! Y’know, just in case!”
“I’m almost jealous. Super rich and he gets to hang out with gorgeous women across the world? Sign me up!”
*Cut to Bruce being slammed face first into a wall repeatedly by Lady Shiva.*
another dumb headcanon: superman is nice to birds because of course he is, and helps out birds who are in distress. also he can fly around with them. birds see a lot more of superman than they do of most people, basically. the unexpected consequence of this is that the crows of metropolis recognize superman as a friend. sometimes crows just follow him around like a weird flock, or try to give him shiny things. but mostly please just imagine luthor trying to gloat while threatening superman with kryptonite only to have a crow steal it. or just, generally, lex luthor getting attacked by crows. if that does not improve your day i don’t know what to tell you.
“What is that?”
Superman followed the direction of Batman’s gaze. A crow had landed on the rooftop beside them, and dropped a bottlecap near Superman’s feet. “Oh! Hey Francis. Is that for me?”
“Caw,” said Francis.
“Do you have a pet crow?” Batman asked.
“No, I don’t have pets,” Superman said as he bent down to retrieve the bottlecap.
“You named it.”
“Not this specific one,” Superman explained. “I just call all the crows Francis.”
“… why.”
“Caw, caw,” said Francis with a flap of its wings.
“I don’t know. Just calling them ‘crow’ felt rude after a while. I’d name them individually but I can’t actually tell them apart. Except for Old Francis and One-Eyed Francis.” Superman tucked the bottlecap into a small pocket on the back of his pants.
“Why Francis?”
Superman shrugged. “It’s gender neutral. I don’t want to misgender them just because they’re birds.”
“Of course you don’t,” Batman sighed, looking back out at Metropolis.
“Caw,” Francis added.
“Do you keep dog treats in your utility belt?” Superman asked.
“Why would I do that.”
“… in case you meet a dog that needs to know he’s a good boy?” Superman suggested. Batman shook his head, but opened a small pouch on his belt and held out a small treat. “See, it was a yes or no question, I don’t know why everything has to be such a production with you,” Superman said as he took it. He tossed it over by the bird’s feet. “Here you are, Francis. Keep up the good work.”
“Caw, caw,” Francis said. When it realized no more treats were forthcoming, it flew away in a flutter of black wings.
“You’re unbelievable,” Batman said, shaking his head again.
Superman took his eyes off the departing crow to look back at Batman, and frowned. “You know,” he said, “it’s really weird seeing you in costume during the day.”
“Don’t start.”
“It’s like seeing your teacher at the mall.”
“Don’t think I won’t take care of Poison Ivy without your help, if I have to.”
Superman shrugged. “I’m just saying.”
But…what if the crows also recognized him as Clark Kent? This mild-mannered reporter who doesn’t seem to do anything in particular to the crows that would make them like him, but they’re not afraid of him at all, and they keep trying to give HIM things, and Clark being a nice guy, he just. Accepts the bottlecap. Says thank you. Keeps walking. Lois adds another factoid to her “Weird Stuff About Clark Kent” file.
Maybe he tries to convince his coworkers that everyone is friendly with crows in Smallville. That the farmers discovered how smart crows are and decided to make friends with them instead of chasing them off.
Maybe he tries to talk the crows into palling around with him as Superman but going their separate ways as Clark Kent.
Please imagine Superman on top of a building holding Clark Kent’s glasses and trying to explain the concept of a secret identity to a flock of attentive birds.
“22 year old puts on bat costume to punch criminals, has no powers” is hard enough to wrap your head around but throw in “24 year old adopts 12 year old who also punches criminals, has no powers” and that is not something that would ever occur to anyone
like OBVIOUSLY batman must be an older man who knows what he’s doing, and not just some traumatized 20-something accidentally collecting traumatized children
haha wow referring to bruce wayne as a 20-something really puts things in perspective. batman: probably actually younger than joey from friends.
i am enjoying how completely horrified everyone is by this thought
to elaborate on my preferred timeline it goes:
orphaned at 12 (consistent with how his ptsd manifests)
tested out of high school and accepted into yale at 16 (because he is an overachieving type a motherfucker who channels his survivor’s guilt into being The Best)
spends six years at yale getting a jd/mba and using all his free time to travel the world and learn punches
ready to take over the family biz at 22
“hello alfred i am back from yale here are all of my fancy degrees ps i’m going to dress like a bat now good luck talking me out of it i’m technically a lawyer now lol”
TWENTY-TWO YEAR OLD BATMAN. TWENTY-THREE YEAR OLD BATMAN. GOING IT ALONE. IT’S JUST HIM.
this is probably when he is most nolan-esque because have you ever met a man in his early twenties who thinks it’s his job to save the world
they’re the fucking worst
TWENTY-FOUR YEAR OLD BATMAN MEETS A TWELVE YEAR OLD WHO JUST WATCHED HIS PARENTS DIE
twelve year old mistakenly assumes someone who is 24 is a grownup, no one corrects him
the fact that either of them survive is a miracle even before you take the night job into account, thank god for alfred or they would probably get scurvy
i told you that just so you would understand how i have justified it when i tell you that this makes Batman during his first year with Robin younger than:
Joey in season one of Friends
Everyone in season one of Friends
Jake Peralta in Brooklyn 99
Uncle Jesse from Full House
This guy:
Everything makes sense now.
I always knew Bruce was in his mid 20′s when he took in Dick, but it only now occurred to me while reading this just what that would mean.
The Riddler hijacks the local TV airwaves and appears onscreen holding a comically long roll of paper. After dramatically clearing his throat, he proceeds to read from it.
“The following is a list of people who can suck it. Number One: The Joker. I don’t think I need to explain that one. Number Two: Cluemaster. Fuck you, you stole my bit, and I will be like a plague unto your house. Number Three: King Tut. You also stole my bit, but did it while killing people and got me arrested for murder. Also, I’m, like, 93% sure you’re a white guy and your costume is racist.
“Number Four: The Scarecrow. I know you ate my leftover Chinese, Jon, even though I wrote my name on it. I was saving that for lunch. I had to eat a goddamn peanut butter and jelly sandwich like a five-year-old. It was all you had in the hideout. For fuck’s sake, go shopping, not all of us can live like a bridge troll.
“Number Five: The Penguin. You- No, no, wait, wait… That one should be crossed out. He replaced that and apologized. Never mind, Oswald, you’re fine. Drinks at 7:00 tomorrow, right?
“Anyway, where was…? Ah, yes. Number Six: The Mad Hatter. You carded me and left me like that for six hours because I, and I quote, ‘would not stop talking about Mythbusters.’ Well, excuse me for trying to make intellectually stimulating conversation on a level you could understand. I suppose every time you prattle on about mome raths and borogoves it’s goddamn Shakespeare? Well… Well, it’s Carroll, but… Oh, you know what I mean!
“Number Seven: Catwoman. You left me hanging by one hand from a ledge five stories up and holding a twenty-pound bag of jewels and very pointy
objets d’art while you ‘distracted’ the Dark Knight. I know you were making out with him, Selina. You were gone for fifteen minutes. My shoulder almost dislocated. Very unprofessional.
“Number Eight: Kite Man.”
Here the Riddler pauses, lifting his narrowed gaze to glare at the camera, voice dropping to an ominous tone.
“You know what you did…”
His demeanor shifts quickly, and he’s back to reading from his list almost cheerfully.
“Number Nine! Th-”
He’s interrupted by a crashing noise in the background and looks over his shoulder just an instant before a deep voice angrily growls, “Riddler!”
“Oh, for the love of-” He turns to glare at the camera, speaking quickly. “Number Nine: Batman! Interrupting me while I’m on television making very important- Hm-mmph!”
He’s reduced to muffled curses as a black gloved hand covers his mouth and pulls him out of frame. The camera tilts, a cracking noise is heard, and the broadcast turns to static.
KITE MAN’S CRIMES WERE NUMEROUS AND TERRIBLE
If I were batman I’d give him like a five minute warning, because this actually sounds theraputic.
Batman: Riddler, you’ve hijacked the TV airwaves and you know that’s wrong but I think this is actually theraputic. So I’m giving you five minutes, and then I’m taking you to Arkham
Robin: Geez get a facebook account for this crap, hell if you wanna vent to millions of strangers just get youtube.
“RIDDLER YOU CAN’T JUST GO ON TV AND SCREAM AT PEOPLE
THAT’S WHAT YOUTUBE IS FOR”
Riddler takes this advice. He gets his own youtube channel called RiddleMe_Th15. It starts out as being purely therapeutic, a platform for publically calling out those who have annoyed him. Then someone leaves him a pathetically easy riddle to solve in the comments, and he spends his next segment ranting about it, and then posing a better one.
This starts a dialogue with a number of other youtube users who both attempt to answer his riddles and pose their own riddles in return.
Riddler has found his people, and his hit count is climbing.
Seriously, Riddler would KILL IT (metaphorically speaking) on YouTube. He just does those weird animated puzzle videos where he poses lengthy, overly complicated puzzles, game theories, and riddles, then gives away…fuck I don’t know…Amazon or iTunes cards to whoever gets them right.
“Riddle me this: How can I ensure there are more videos like this one? The answer, my little quest solvers, is simple: Like and subscribe, and consider donating to my Patreon! Which isn’t much of a Riddle, but seriously I’m down to eating crackers and ramen right now and YouTube keeps demonetizing my videos because I used to be a supervillain.”
Bringing this back because “YouTube keeps demonetizing my videos because I used to be a supervillain” has to be shared and because I have some followers who have not experienced The Riddler Post.
Seriously, if you ever need a good time, just read all the responses in the notes. This post still ranks as one of the best things I’ve ever done.
the most implausible thing about superhero movies is that these guys make their own suits, like seriously those toxic chemicals did NOT give you the ability to sew stretch knits, do you even own a serger
I feel like there’s this little secret place in the middle of some seedy New York business neighborhood, back room, doesn’t even have a sign on the door, but within three days of using their powers in public or starting a pattern of vigilanteism, every budding superhero or supervillain gets discreetly handed a scrap of paper with that address written on it.
Inside there’s this little tea table with three chairs, woodstove, minifridge, work table, sewing machines, bolts and bolts of stretch fabrics and maybe some kevlar, and two middle-aged women with matching wedding rings and sketchbooks.
And they invite you to sit down, and give you tea and cookies, and start making sketches of what you want your costume to look like, and you get measured, and told to come back in a week, and there’s your costume, waiting for you.
The first one is free. They tell you the price of subsequent ones, and it’s based on what you can afford. You have no idea how they found out about your financial situation. You try it on, and it fits perfectly, and you have no idea how they managed that without measuring you a whole lot more thoroughly than they did.
They ask you to pose for a picture with them. For their album, they say. The camera is old, big, the sort film camera artists hunt down at antique stores and pay thousands for, and they come pose on either side of you and one of them clicks the camera remotely by way of one of those squeeze-things on a cable that you’ve seen depicted from olden times. That one (the tall one, you think, though she isn’t really, thin and reminiscent of a Greek marble statue) pulls the glass plate from the camera and scurries off to the basement, while the other one (shorter, round, all smiles, her shiny black hair pulled up into a bun) brings out a photo album to show you their work.
Inside it is … everyone. Superheroes. Supervillains. Household names and people you don’t recognize. She flips through pages at random, telling you little bits about the guy in the purple spangly costume, the lady in red and black, the mysterious cloaked figure whose mask reveals one eye. As she pages back, the costumes start looking really convincingly retro, and her descriptions start having references to the Space Race, the Depression, the Great War.
The other lady comes up, holding your picture. You’re sort of surprised to find it’s in color, and then you realize all the others were, too, even the earliest ones. There you are, and you look like a superhero. You look down at yourself, and feel like a superhero. You stand up straighter, and the costume suddenly fits a tiny bit better, and they both smile proudly.
*
The next time you come in, it’s because the person who’s probably going to be your nemesis has shredded your costume. You bring the agreed-upon price, and you bake cupcakes to share with them. There’s a third woman there, and you don’t recognize her, but the way she moves is familiar somehow, and the air seems to sparkle around her, on the edge of frost or the edge of flame. She’s carrying a wrapped brown paper package in her arms, and she smiles at you and moves to depart. You offer her a cupcake for the road.
The two seamstresses go into transports of delight over the cupcakes. You drink tea, and eat cookies and a piece of a pie someone brought around yesterday. They examine your costume and suggest a layer of kevlar around the shoulders and torso, since you’re facing off with someone who uses claws.
They ask you how the costume has worked, contemplate small design changes, make sketches. They tell you a story about their second wedding that has you falling off the chair in tears, laughing so hard your stomach hurts. They were married in 1906, they say, twice. They took turns being the man. They joke about how two one-ring ceremonies make one two-ring ceremony, and figure that they each had one wedding because it only counted when they were the bride.
They point you at three pictures on the wall. A short round man with an impressive beard grins next to a taller, white-gowned goddess; a thin man in top hat and tails looks adoringly down at a round and beaming bride; two women, in their wedding dresses, clasp each other close and smile dazzlingly at the camera. The other two pictures show the sanctuaries of different churches; this one was clearly taken in this room.
There’s a card next to what’s left of the pie. Elaborate silver curlicues on white, and it originally said “Happy 10th Anniversary,” only someone has taken a Sharpie and shoehorned in an extra 1, so it says “Happy 110th.” The tall one follows your gaze, tells you, morning wedding and evening wedding, same day. She picks up the card and sets it upright; you can see the name signed inside: Magneto.
You notice that scattered on their paperwork desk are many more envelopes and cards, and are glad you decided to bring the cupcakes.
*
When you pick up your costume the next time, it’s wrapped up in paper and string. You don’t need to try it on; there’s no way it won’t be perfect. You drink tea, eat candies like your grandmother used to make when you were small, talk about your nights out superheroing and your nemesis and your calculus homework and how today’s economy compares with the later years of the Depression.
When you leave, you meet a man in the alleyway. He’s big, and he radiates danger, but his eyes shift from you to the package in your arms, and he nods slightly and moves past you. You’re not the slightest bit surprised when he goes into the same door you came out of.
*
The next time you visit, there’s nothing wrong with your costume but you think it might be wise to have a spare. And also, you want to thank them for the kevlar. You bring artisan sodas, the kind you buy in glass bottles, and they give you stir fry, cooked on the wood-burning stove in a wok that looks a century old.
There’s no way they could possibly know that your day job cut your hours, but they give you a discount that suits you perfectly. Halfway through dinner, a cinderblock of a man comes in the door, and the shorter lady brings up an antique-looking bottle of liquor to pour into his tea. You catch a whiff and it makes your eyes water. The tall one sees your face, and grins, and says, Prohibition.
You’re not sure whether the liquor is that old, or whether they’ve got a still down in the basement with their photography darkroom. Either seems completely plausible. The four of you have a rousing conversation about the merits of various beverages over dinner, and then you leave him to do business with the seamstresses.
*
It’s almost a year later, and you’re on your fifth costume, when you see the gangly teenager chase off a trio of would-be purse-snatchers with a grace of movement that can only be called superhuman.
You take pen and paper from one of your multitude of convenient hidden pockets, and scribble down an address. With your own power and the advantage of practice, it’s easy to catch up with her, and the work of an instant to slip the paper into her hand.
*
A week or so later, you’re drinking tea and comparing Supreme Court Justices past and present when she comes into the shop, and her brow furrows a bit, like she remembers you but can’t figure out from where. The ladies welcome her, and you push the tray of cookies towards her and head out the door.
In the alleyway you meet that same giant menacing man you’ve seen once before. He’s got a bouquet of flowers in one hand, the banner saying Happy Anniversary, and a brown paper bag in the other.
You nod to him, and he offers you a cupcake.
This is so awesome.
Actually, this is New York. Why hide?
Marvel had a plotline that there’s an old tailor who does suit design, fabrication, and repair. He sees heroes and villains on alternate days, and no one attacks or fights at his shop for risk of losing his business.
This was a Spider-man story, so of course the upshot of it was that no one had told Spider-man (they assumed he knew, or he just enjoyed making his own costume). Spidey’s sewing skills are also canon, and he’s sometimes expressed frustration/bewilderment that other heroes don’t know how to, mostly when he gets stuck with a sewing job that he assumes literally anyone in a custom costume could be doing.
(there’s a DC fancomic about this except the poor guy has to cater to villains)