howlnatural:

the most fun thing about being a fic author is when you know what’s supposed to happen but when you go to write it you realise that, for the event to be plausible, you need to add another 2k of development and establish like six extra things before you can even get to the scene you need to write, and by ‘most fun’ I mean fuck everything someone take this fucking story away from me I’m on strike

Alright I was binge reading all of your fics bc I honestly have nothing else to do and then I read your gods & monsters fic and it’s super awesome. Also quick question, what made you decide to stick hades and ares together? Not that I’m complaining of course I love their relationship

shanastoryteller:

thank you!! ❤ ❤

hhhmmm i just … i don’t know, they seemed to fit together? at first i was planning to make ares a villain because FUCK WAR but then i was like … what if he wasn’t the general, what if he was the soldier boy drafted into a war he didn’t believe in? and, the thing is, general god of war ares and hades would never ever work. but kind, strong, soldier boy ares who didn’t ask for any of this and is doing his very best? who is kind and trying and cares

hades is just so all over that. 

and patient hades, with soft hands and soft words, who opens his arms and says, let me be your resting place? show me your rage, your sorrow, your anguish, i will take it all and love you just the same – of course ares loves him, loving hades is as easy as breathing. 

whetstonefires:

feynites:

samael:

magic-and-moonlit-wings:

randomthingsthatilike123:

Do you ever think about how when Ron’s wand broke 2nd year, just using spell-o-tape wasn’t enough to fix it. It kept backfiring in ways that were really bad, like making himself eat slugs, or kinda just. being defective in general.

Hagrid’s wand was snapped his 3rd year. But he still uses it, disguised as an umbrella. And it works.

Like we know Ollivander didn’t fix it, since he was surprised to hear Hagrid had the pieces. Not to mention since Hagrid was expelled, it would be extremely illegal to fix it. Hogwarts works as a groundskeeper, and lives in a one room wooden hut that he made himself. He’s not going to have the money to ribe someone to fix it, and then there’s also the fact that because of his heritage, even if he could bribe someone to fix it, they probably wouldn’t. And sure, Dumbledore probably knows that Hagrid fixed his wand, there’s a certain level of deniability there. He wouldn’t have actually gotten involved with the wand mending process. Especially when Hagrid was just accused of killing a student.

So that means Hagrid would have put his wand back together himself.

The 3rd year transfiguration examination was to turn a teapot into a tortoise. Only inanimate objects into animals. Part of the reason animagi are so rare is because they’re human to animal transformations. The first time we meet Hagrid, he gives Dudley a tail, and correctly animates the boat he and Harry are on. Silently.

Harry and co. didn’t even attempt to learn silent casting until 6th year. Anything Hagrid learned after 3rd year would have been self taught.

Hagrid is one powerful wizard and holy shit combined with his resistance to magic with his giant heritage forget McGonagall holy shit Hagrid is terrifying

No wonder sixteen-year-old Voldemort was intimidated enough by thirteen-year-old Hagrid to pick him as the one to frame for murder.

Woulda been nice if the media had explored wordless magic more deeply, since the first spells we ever see use it.

Hagrid defeating Voldemort would have been one hell of a plot twist.

So, AU in which Hagrid didn’t get framed for murder and expelled. We’ll say Aragog never happened and Tom settled on a different fall guy. Myrtle dies and Riddle gets away with it, but Rubeus is not a casualty of the plot.

His written coursework was never going to be great, even if he hadn’t been orphaned at age twelve, but his practical casting gets more noticeably excellent, the more the spells they’re learning benefit from having more power behind them.

Dumbledore made a teacher’s pet of him from the beginning, because he wants to see the half-giant kid Dippet almost didn’t let in succeed, so he’s always worked hardest in Transfiguration. Once Albus notices there’s actual potential here, he keeps assigning him different tutors trying to find someone who can get transfiguration theory into his head because once this kid figures out what the hell he’s doing he’s really good. He starts taking all the kid’s detentions and assigning them as tutoring sessions.

Toward the end of fourth year he tries Minnie McGonagall, a prefect who is ironically in detention for cursing a Slytherin prefect during an argument about politics.

Rubeus gets five OWLs and the Transfiguration score is actually pretty high. The next year, he turns out to be a natural at nonverbal casting. His DADA scores climb steadily.

The summer before Rubeus’ seventh year, his Transfiguration Professor goes to Europe and defeats a Dark Lord. When he comes back, everyone is incredibly excited to have the Conqueror of Grindelwald among them and keeps praising him and thanking him and telling him how proud they are and how proud he must be to be such a hero.

Rubeus is the only one who seems to notice that his favorite teacher seems really, really sad. He bakes him an inedible cake. Albus finds himself smiling and meaning it for the first time in at least three months after he nearly breaks a tooth on it.

Where has one of his favorite students been spending the summers since second year, anyway? Do wizards have their own orphanages? Did Hagrid’s father have relatives that put him up?

(It’s 1946, there aren’t a lot of government regulations covering this kind of thing even for Muggles yet, and the situation of ‘homeless orphan who spends nine months a year at boarding school’ is unprecedented in my experience because those usually cost money.)

Rubeus gets three NEWTs: Transfiguration, DADA, and (with flying colors) Care of Magical Creatures. He gets a job with the winged-horse breeders. Offends the young Abraxas Malfoy by being Entirely Too Large and Not Human and In his Stables. Gets fired. He gets a job at the Welsh Green reserve out west. Gets attached to a particular elderly dragon scheduled for slaughter. Gets fired.

Manages a position at the Department for the Regulation and Control of Magical Creatures–a real grunt position, not at all what you’d expect for someone with such high NEWTs and glowing letters of recommendation from his teachers, even if he has been fired twice, but that’s institutional prejudice for you. Mostly they have him deal with dangerous animals, which is just how he likes it.

Manages to go several years without being fired, mostly because he’s managed to keep his head down and avoid anybody noticing how many animals he was supposed to kill he actually smuggled home to his house. Complains at length to his old teacher and recently appointed Supreme Mugwump about the rampant unfairness toward splendid beasts and nonhuman persons he sees every day on the job, when Albus drops by with cake to have tea and double-check the wards Hagrid’s cast to keep any of his rescues from getting out of the woods around his house.

Is eventually fired, but not for the creature-hoarding because that would probably get him jail time.

Now-Headmaster Dumbledore convinces Professor Kettleburn, who has just lost an arm, that an Adjunct Professor who’s practically indestructible would be just the thing.

By 1970 Rubeus Hagrid is the main CMC Professor and Kettleburn does periodic safety lectures (directed mostly toward Hagrid with the kids learning sort of incidentally; it actually stick with them better that way) and some of the advanced theory topics, and spends the rest of his time doing research in the Forbidden Forest. (Binns is now also a Professor Emeritus and delivers most of his lectures to rooms full of marble busts. He doesn’t seem to have noticed.)

Lily Evans is one of his favorite students. Remus Lupin is teacher’s pet.

Rubeus Hagrid, fully accredited wizard who can shrug off stunners even without any kind of armor, is a battle tank of the Order of the Phoenix. He and Moody take down enough Death Eaters together to have Voldemort wishing he’d killed that ugly half-giant kid when they were in school, instead of the useless Ravenclaw girl.

saniika:

shipping-isnt-morality:

Good morning! I’m salty.

I think we, as a general community, need to start taking this little moment more seriously.

This, right here? This is asking for consent. It’s a legal necessity, yes, but it is also you, the reader, actively consenting to see adult content; and in doing so, saying that you are of an age to see it, and that you’re emotionally capable of handling it.

You find the content you find behind this warning disgusting, horrifying, upsetting, triggering? You consented. You said you could handle it, and you were able to back out at any time. You take responsibility for yourself when you click through this, and so long as the creator used warnings and tags correctly, you bear full responsibility for its impact on you.

“Children are going to lie about their age” is probably true, but that’s the problem of them and the people who are responsible for them, not the people that they lie to.

If you’re not prepared to see adult content, created by and for adults, don’t fucking click through this. And if you do, for all that’s holy, don’t blame anyone else for it.

Simple as that.

ask-the-egos:

mentallydobious:

dottydayedream:

capregalia:

dottydayedream:

dottydayedream:

rainnecassidy:

actuallyalivingsaint:

petitstar:

aniseandspearmint:

janothar:

misscrazyfangirl321:

wakeupontheprongssideofthebed:

writing-prompt-s:

You’re a regular office worker born with the ability to “see” how dangerous a person is with a number scale of 1-10 above their heads. A toddler would be a 1, while a skilled soldier with a firearm may score a 7. Today, you notice the reserved new guy at the office measures a 10.

You decide it’s best to find out what you can about this person. Cautiously, you approach his desk. He’s a handsome man, tall, but with a disarming smile. How could such a friendly guy with such cute, dorky glasses be dangerous?

You extend your hand. “I noticed you’re new here. What’s your name?”

He shakes your hand warmly. His gaze is piercing, as if he’s looking right through you. “The name’s Clark,” he says. “So, how long have you worked for the Daily Planet?”

This one wins.

It’s been a few weeks, and one of Clark’s friends shows up.  She’s pretty and all, enough muscle that she must work out.  First thought would be that she should be maybe a 6.

Clark’s introducing her around.  “This is my good friend, Diana, she’s in from out of town.”

You blink, and take a step back in fear.  You’ve never seen an 11 before.

The day Bruce Wayne shows up for his long promised interview with Lois Lane, you can’t help it, the mug your holding drops from your fingers and sends a shock of hot coffee and ceramic shards across the floor.

Clark stops a few feet away and squints at you worriedly from behind those ridiculous glasses you’re 99% sure he doesn’t actually need, and asks tentatively, “Everything all right?”

You ignore him in favor of staring at the inky dark numerals hovering over the beaming fool gesticulating some fantastic yacht story for a gaggle of secretaries and minor columnists.

That’s it. Your gift has officially gone haywire. There is no other explanation. Because there is absolutely no way that Brucie Wayne is a 10.

At this point, you’ve seen it all. Miled manner reporters and billionaires at a 10 and a model-like woman at 11. You were really starting to doubt your power. The day you really stopped believeing in it was when Bruce Wayne came for another visit, and this time with a kid. The kid couldn’t be more than 10 years old, a bit on the short side.

He was an 8.

The day you started believing in it again was when you saw on tv the formation of something called the justice league.

There were those same numbers over superman, batman, wonder woman and robin. That’s when you put two and two together. You wonder how nobody at the daily planet noticed that Clarke was Superman with glasses. You wonder why you didn’t notice. You wonder why nobody put two and two together that Diana Prince and Wonder Woman looked exactly the same. You look in the mirror as the realization hit you and you see your own number change from a 3 to a 9.

IT GOT BETTER

Despite this, you go about your life. You don’t talk to Clark – Superman? – and kept out of his way. His girlfriend Lois Lane – she was a five when you first met, but now she’s a nine just like you – tries to get you to interview Bruce Wayne, but you refuse. You meet other people in Clark’s group of friends with high numbers. The daughter of the police commissioner from Gotham. The forensic scientist from Central City. More and more people to avoid and worry about.

Meanwhile, your paranoia gets to you. You start working out. Training in self defense. Studying the Justice League, trying to find its members. Finding out all their identities so you can be ready.

One day you wake up with a ten above your head.

That day you get a call. You recognize the area code. Gotham. Your heart is in your throat. You should throw the phone away, run. They’ve found you. You’re doomed. You might be a ten, but you can’t beat them all.

You pick up the phone anyways.

“Hello?”

“Hey, this is Clark Kent. I was wondering if we could talk.”

Your mouth goes dry. “About what?”

Clark’s voice goes quiet. “Well. About the Justice League.”

You stiffen in your seat. Your adrenaline kicks in, and your eyes dart around the room. You can hang up, pack, grab a plane ticket to wherever and disappear. Your passport hasn’t expired, and you’ve been talking to Perry White about a vacation anyways. You could say it’s a family emergency and never come back.

But they’d find you. You know they’d find you. They’re goddamned superheroes. They can carry buildings. They could probably manage finding you.

“Hello?” Clark’s voice returns, tinged with concern, and suddenly you stop. Calm down. They’re the good guys. At least they’re supposed to be.

“Yeah, sorry, just a little shocked you–”

“Caught up to you?” Clark asked. He laughed a little, but it wasn’t teasing. His voice had his regular ease, the same casual tone he would employ to talk about the weather in the break room. “Yeah. Lois noticed your odd behavior, actually. We didn’t realize it was linked to the League until you refused to interview Bruce, and then we knew something was up.”

“Speaking of Bruce Wayne, are you using his phone? Your area code is Gotham, not Metropolis.”

Clark laughed. “Damn. Lois wasn’t kidding when she said you were the best investigator working for the Daily Planet.”

“I just notice things is all.” You laughed nervously. You still can’t shake your general unease. This guy could kill you without any effort. You’re no match for him, or for any of his friends for that matter. Hell, Batman didn’t even have powers and he’d still fuck you up.

“Yeah, and that’s a skill we could use around here. Would you like to talk about joining? Bruce can send you a car, bring you here–”

“No,” you say, sharper than you intended. “Sorry. I’d rather meet in public, if that’s okay with you.”

“Of course. Lunch or coffee? It’s still early, but it’s a bit easier to cram all of us in a restaurant than a coffee shop.”

“Lunch, I guess. And no superhero stuff.”

Clark pauses, then sighs sadly. You’ve heard this sadness before in rare amounts. When bad things happened and fear and greed overtook people, he’d always frown and sigh, like someone watching their best friend self destruct, unable to help or save them. “You’re afraid of us. Aren’t you?” His voice is concerned and hushed.

A pang of guilt starts to replace the fear. “You can throw around buildings like a sack of potatoes, Clark. Your friend is powerful on an impossible level, Bruce’s kid is a fucking eight–”

“Wait, wait, wait,” Clark said, the sadness disappearing. “You have a number system for us?”

“Look, it’s a whole thing. I’ll talk about it over lunch.” You grab your laptop bag. “Where are we meeting?”

Clark said something to someone else. “Got any restaurant ideas? They want lunch.”

Bruce Wayne – you’ve heard enough interviews to recognize his voice – said, “Saffron’s pretty good.”

“Jesus,” someone else said. You’ve heard the voice, but you couldn’t place it. “I keep on forgetting you’re rich.”

“You don’t think it’s a little much, Bruce? The pay at Daily Planet is good but not that good,” said Clark.

“I’ll cover their tab.”

“Okay…” Clark returned to the call. “Saffron, in…thirty minutes? You’re downtown, right?”

“You can get a table to Saffron in thirty minutes?” said the strange voice. “Boy, am I glad I made friends with you guys.”

“Yeah, that works.” You’re a bit hesitant, but you swallow your nerves. At least for now. Your thoughts about threat levels made you forget that Clark is a decent guy. All you could do is hope that he thinks you’re decent, too. “See you then.”

“See you then. Be safe. Bye.” Clark hangs up, and you’re left in your room. The worry is starting to turn into something different. Excitement.

You shove the phone into your pocket, grab your keys, and head out the door. You’re so full of restless energy you walk the whole way there. Once you arrive, you catch your reflection in the mirror and notice that you’re starting to suit that ten above your head.

KEEP GOING!!!!!!!

The hostess takes you to a hidden corner of the restaurant. It’s mostly empty, as though it’s only just opened. Sitting at a long table, chatting politely, was the Justice League.

They aren’t wearing masks or uniforms, no bright colors and costumes. Clark Kent is in his usual office wear, Bruce Wayne is wearing a tailored suit, Diana Prince dons a nice blue dress, and Oliver Queen wears a nice button down. You don’t recognize two of them – a twenty something in jeans and a hoodie, a man in a green shirt, and a burly guy in a baggy t-shirt and old jeans who looks like he had just washed up from the sea. All of them, aside from Diana, are tens, of course.

Clark Kent stands, shakes your hand when you come in. “Glad to see you made it.” He introduces you to the others, and they all shake your hand quite happily and greet you like a friend. You learn that the guy in the hoodie is Barry Allen, the dude in green is Hal Jordan, and the beach dude is Arthur Curry. Waitresses, all ones, twos, and threes, come in with drinks, and one plops a mug of coffee in front of you, along with a small menu. Clark Kent gives you a knowing gaze.

Once the waitresses clear out, Bruce sits up straight. “Clark, would you rather I do the honors?” His silver watch glitters in the light from the windows.

“No, no, Bruce,” Clark says, setting down his glass of water. “I think it’s best if I ask them myself.”

Within a moment, you piece it together. “You want me to join the Justice League?”

Clark Kent cracks a smile. “How’d you guess?”

“You call me out of the blue, mention the Justice League, invite me to Bruce Wayne’s place, and then here, where you introduce me to a group of people who all look strikingly similar to the members of the Justice League.” You take a sip of coffee. “Subtlety is hardly your strong suit.”

Barry Allen laughed. “They got you there on that one.”

“Well, you’re right. At first Bruce wanted to handle the situation himself,” – you’d rather not think about what handle was a euphemism for – “but I insisted we do some more digging. We did, and what we found was…surprising. To say the least.”

You look at him oddly. You aren’t normal – no one else saw numbers floating above people’s heads – but you weren’t surprising. Your parents were the only ones who knew about your ability, and they’re long gone. You’ve got no checkered past, no odd history–

“You have powers.” Clark’s voice was clearly impressed.

“How did you find out about that?” The fear comes back, forming a knot in your stomach. “I’ve never told anyone else about it.”

“It’s not hard to notice,” Barry Allen says in between sips of soda. “Most of the information we got we got from Lois after she’s hung out with you.”

“I’ve never her told her anything about the numbers, though.”

Oliver Queen sits up, flashing you a confused look. “Numbers?”

Okay, something’s not right here. “The number I see over everyone’s heads,” you say, keeping your voice low. “It ties into how dangerous everyone is. Usually it’s just a one or two, maybe a three or four or five if they’ve got some kind of training or if they work out or whatever. Almost everyone at this table has a ten.”

“Almost?” Diana furrows her brow.

“You have an eleven,” you add.

Diana nods, smiling with a bit of pride and making an “I told you so” face to Bruce Wayne, who rolls his eyes. Oliver Queen clears his throat as Bruce and Hal pass him a couple bills.

“Ignore them,” Barry says, rolling his eyes at the three of them. “What you said was interesting – I might have to ask you a few questions on that later – but it wasn’t what I found. Remember the sensory and memory study you did when you were ten?”

You do remember it. Your parents were contacted by a scientist friend of theirs who needed kids to run a study on memory and stimuli. You remember it clearly. The large sterile room, the tests, the person conducting them, a handsome woman with a four above her head, the questions, the smell of latex gloves and fresh bleach. But you don’t remember the results. You were never told the results, other than that they were good, though with a test like that it was hard to say.

“Well, I found the tests. And they were superhuman.”

Oh shit this is the best one!

UGHHHHHHH I LOVE THIS!!! MORE PLEASE!! :0

bairnsidhe:

trusmurff:

A Beauty and the Beast AU where Belle realizing she loves Beast isn’t at some dramatic climactic event but during some randome everyday moment. Like, she’s filing her nails and just kinda glances up at him and he’s like doing something just as dull and it just kinda dawns on her that she loves him but she doesn’t voice it cause she isn’t exactly ready to confront thoes emotions and what they mean so she goes back to filing her nails but then is starts raining glitter and Beast is defying gravity in a glowing ball of light and the castle is changing back and everyone becomes human again. Then everyone is left in silent moment of shock and confusion and Belle, being completely unaware of what it takes to break the curse, is just staring around in horror while everyone freshly humanized comes running into whatever room she and Beast were in (probably the library) expecting to see something other than human Beast in a heap on the ground and Belle across the room in a chair frozen in shock and confusion and everyone just kinda looks at each other for a couple of seconds not realy sure what to say cause nobody is entirely sure what happened other than the curse was broken. Then Beast finaly gets up and looks around and realizes what this means and looks at Belle and is just like “you love me?” And Belle is just like “wat?”

ALTERNATELY: Belle falls in love slowly.  As a result, Beast turns back into a human slowly.  She overhears him singing in the shower (it’s amazing how old pipes echo) and realizes it’s that song she was trying to teach herself on the piano (okay, that the piano was teaching her).  It’s sweet and mundane, and lovely.  Meanwhile, in the bathroom, Beast is humming nervously as he looks at the fur clogging the drain.  He thought at least he’d be free of male pattern balding since he’s cursed!  Later, Belle gets a cold, and Beast brings her soup and sandwiches, and she curses at him because how dare he have such a hearty immune system, and he chuckles and leaves it.  After he’s gone, she notices he cut the grilled cheese on the diagonal, crusts off, exactly right.  Beast, downstairs, trips and falls, because the sudden lack of toe-claws threw off his balance.

And so on and so forth, so slowly she doesn’t really see it, she just assumes her memories were colored by her fear.  Until one day, as he goes out to tend his roses, she yells “Bye, love you!” and when he comes back in, all excited, she nearly beans him with an encyclopedia, because “WHAT THE FUCK, WHO ARE YOU?” and Beast is just “You seriously didn’t notice me turning back into a human?  You are so smart… and SO DUMB, I BEEN NEARLY DYING EVERY TIME, WHY DO I LOVE YOU, YOU BEAUTIFUL DISASTER WOMAN!”

And Belle goes “…what?”

feynites:

theskaldspeaks:

ibelieveinthelittletreetopper:

jeneelestrange:

joyfulldreams:

olderthannetfic:

destinationtoast:

lierdumoa:

slitthelizardking:

ainedubh:

observethewalrus:

prokopetz:

ibelieveinthelittletreetopper:

veteratorianvillainy:

prokopetz:

It just kills me when writers create franchises where like 95% of the speaking roles are male, then get morally offended that all of the popular ships are gay. It’s like, what did they expect?

#friendly reminder that I once put my statistics degree to good use and did some calculations about ship ratios#and yes considering the gender ratios of characters#the prevalence of gay ships is completely predictable (via sarahtonin42)

I feel this is something that does often get overlooked in slash shipping, especially in articles that try to ‘explain’ the phenomena. No matter the show, movie or book, people are going to ship. When everyone is a dude and the well written relationships are all dudes, of course we’re gonna go for romance among the dudes because we have no other options.

Totally.

A lot of analyses propose that the overwhelming predominance of male/male ships over female/female and female/male ships in fandom reflects an unhealthy fetishisation of male homosexuality and a deep-seated self-hatred on the part of women in fandom. While it’s true that many fandoms certainly have issues gender-wise, that sort of analysis willfully overlooks a rather more obvious culprit.

Suppose, for the sake of argument, that we have a hypothetical media franchise with twelve recurring speaking roles, nine of which are male and three of which are female.

(Note that this is actually a bit better than average representaton-wise – female representation in popular media franchises is typicaly well below the 25% contemplated here.)

Assuming that any character can be shipped with any other without regard for age, gender, social position or prior relationship – and for simplicity excluding cloning, time travel and other “selfcest”-enabling scenarios – this yields the following (non-polyamorous) possibilities:

Possible F/F ships: 3
Possible F/M ships: 27
Possible M/M ships: 36

TOTAL POSSIBLE SHIPS: 66

Thus, assuming – again, for the sake of simplicity – that every possible ship is about equally likely to appeal to any given fan, we’d reasonably expect about (36/66) = 55% of all shipping-related media to feature M/M pairings. No particular prejudice in favour of male characters and/or against female characters is necessary for us to get there.

The point is this: before we can conclude that representation in shipping is being skewed by fan prejudice, we have to ask how skewed it would be even in the absence of any particular prejudice on the part of the fans. Or, to put it another way, we have to ask ourselves: are we criticising women in fandom – and let’s be honest here, this type of criticism is almost exclusively directed at women – for creating a representation problem, or are we merely criticising them for failing to correct an existing one?

YES YES YES HOLY SHIT YES FUCKING THANK YOU!

Also food for thought: the obvious correction to a lack of non-male representation in a story is to add more non-males. Female Original Characters are often decried as self-insertion or Mary Sues, particular if romance or sex is a primary focus.

I really appreciate when tumblr commentary is of the quality I might see at an academic conference. No joke.

This doesn’t even account  for the disparity in the amount of screen time/dialogue male characters to get in comparison to female characters, and how much time other characters spend talking about male characters even when they aren’t onscreen. This all leads to male characters ending up more fully developed, and more nuanced than female characters. The more an audience feels like they know a character, the more likely an audience is to care about a character. More network television writers are men. Male writers tend to understand men better than women, statistically speaking. Female characters are more likely to be written by men who don’t understand women vary well. 

But it’s easier to blame the collateral damage than solve the root problem.

Yay, mathy arguments. 🙂

This is certainly one large factor in the amount of M/M slash out there, and the first reason that occurred to me when I first got into fandom (I don’t think it’s the sole reason, but I think it’s a bigger one than some people in the Why So Much Slash debate give our credit for). And nice point about adding female OCs.

In some of my shipping-related stats, I found that shows with more major female characters lead to more femslash (also more het).  (e.g. femslash in female-heavy media; femslash deep dive) I’ve never actually tried to do an analysis to pin down how much of fandom’s M/M preference is explained by the predominance of male characters in the source media, but I’m periodically tempted to try to do so.

All great points. Another thing I notice is that many shows are built around the idea that the team or the partner is the most important thing in the universe. Watch any buddy cop show, and half of the episodes have a character on a date that is inevitably interrupted because The Job comes first… except “The Job” actually means “My Partner”.

When it’s a male-female buddy show, all of the failed relationships are usually, canonically, because the leads belong together. (Look at early Bones: she dates that guy who is his old friend and clearly a stand-in for him. They break up because *coughcoughhandwave*. That stuff happens constantly.) Male-male buddy shows write the central relationship the exact same way except that they expect us to read it as platonic.

Long before it becomes canon, the potential ship of Mulder/Scully or Booth/Bones or whatever lead male/female couple consumes the fandom. It’s not about the genders involved. Rizzoli/Isles was like this too.

If canon tells us that no other relationship has ever measured up to this one, why should we keep them apart? Don’t like slash of your shows, prissy writers? Then stop writing all of your leads locked in epic One True Love romance novel relationships with their same-sex coworkers. Give them warm, funny, interesting love interests, not cardboard cutouts…

And then we will ship an OT3.

I would like to add a probably problematic addendum to this. In that in certain pieces of media that are pretty much all centered around families–where everyone interesting is related to each other in some way–that makes the probability that incest ships will get somewhat popular fairly high. Simply because there aren’t any real OPTIONS for ships that aren’t in some way incestuous or otherwise weird and taboo, like huge age gaps or really noticeably unbalanced power dynamics. 

I’m not CONDONING shipping those things. I am simply saying that when you decry the horrific depravity of fandom for daring to ship two people who are related, maybe consider the statistics involved, and consider HOW those ships are commonly shipped over the fact that they are at all. Like if you find that fans are going out of their way to write characters who are siblings as not related to each other in AU for fic or whatever then like?? Yeah. That’s probably a factor.

I’ve been in different fandoms for ten years so far, and in that time, I also happen to have gotten a Sociology degree. And these are the “rules” I’ve picked up on.

1) Shipping will happen. Accept it and plan for it.

2)The most popular ship will be amongst whoever character’s inner life, relationships, and screen time are delved into the most–as long as…

       Addendum to 2: they’re marginally attractive. If that important main character happens to be, say, a talking dog, then most of the fandom will resist and ship other things because of the “marginally attractive” rule. Others will come up with elaborate body switch/humanization/whatever plots to handwave it away and imagine the dog looking like their favorite actor.  There will be a small group who straight up ships the dog as is anyway, but waaaaaay smaller than if it was a normal attractive male human. But still–you’ve put a talking dog in center stage, so prepare for fanfic to be written about it in some way. It will just be significantly less if it breaks the “marginally attractive” rule.

3)There will always be outliers in fandom. Just because a fanfic exists of Roy Orbison in clingfilm, doesn’t mean much. That just tells us about the proclivities of that particular dude who write it. When we notice overall TRENDS and popular ships of broad swaths of people, then we can start seeing actual patterns. So there WILL be people who break these rules in disturbing ways, but those people are exceptions to the rule that don’t discount the overall trend. 

Now, WHAT fandom and people as a whole considers acceptable for the “generally attractive” rule, that’s when we can notice some interesting things. The majority of fandoms where I’ve seen lots and lots and LOTS of ships around what are technically underage teenagers are from media that are a)Films with characters played by much older actors, and b)written narratives where we can imagine the characters as said much older actors. Our idea of what certain ages “look like” is warped pretty heavily from Hollywood casting much older people in the roles. Fanart of teenage characters from written works usually bear this out–they will usually be drawn older than an actual person that age tends to look.

Now, let’s apply this rule to one of the mysteries of Tumblr: The goddamn Onceler. Now WHY of all goddamn things the completely mediocre Lorax movie got so much fanart and fanfiction attention, I don’t know. I’m still picking apart what creates MORE fanfic of one media property over another(its not just popularity–lots of book series can be popular but have bupkis for fic), but I have a feeling, even if I did, the goddamn Lorax would probably still end up as a paradox. But when you look at the characters with ACTUAL SCREEN TIME in the movie, it becomes easy to apply this rule. The only people with significant lines and screen time are characters who are VERY clearly children, a strange little creature voiced by Danny Devito, and the Onceler. The only marginally attractive one is the Onceler, so the only possible option fandom could come up with is to pair him with HIMSELF from the FUTURE.

 When you frame it in terms of how fandom makes decisions on who gets shipped, it makes perfect sense. Weird Onceler time shipping was bound to happen just from how the movie is written. If your only alternatives are straight-up pedophilia and imagining this strange orange creature with DeVito voice having sex, then yes, I’d choose shipping the Onceler with a future version of himself too.

Let apply it to another fandom: Supernatural. Now, any fan of that show can tell you that for a looooooooooooooooooooooooooooooooong time, everyone but the two main characters–who are brothers–dies around them. ESPECIALLY if you’re presented as a love interest in any way. The two attractive brothers have absolutely no one to depend on but each other, only about once a season visiting a long-time associate holed up in a bunker, who provides pretty much only resources and infodumps(spoiler alert! They also inevitably die, it just takes longer). Think of the rules: the Supernatural writers basically wrote their fandom into either writing incest, or sitting on their hands and shipping nothing at all. I will certainly not deny that incest is a kink some people have, but statistically there are no doubt lots of shippers in Supernatural who never thought of doing such a thing–and for which the kink has no particular thrill–who have nevertheless been roped into doing so just because the need to write SOMETHING to comfort those beleaguered characters.

After Supernatural had an episode or two lampooning fan culture and generally letting the audience know they were aware of their fandom, they finally wised up that they’d put their fans in this weird position and gave the brothers the consistent angel associate, Castiel. But this was seasons and seasons late in the game, so for some, that damage has already been done, so to speak. 

You’ve made a show where most of the characters are robots, like Transformers? Well, prepare for written robot sex. You’ve written a show about humanized animals and their adventures? Congratulations, you’ve made furries. You can apply this to basically anything.

I think this also ties in with fandom’s accepted problem with racial minority characters as well. If the show just shoves a character in there for diversity’s sake and the writers seem unwilling/afraid to actually use a character, then the fandom won’t either. The characters fandom will write the most about will statistically be white males, because those are statistically the most common heroes and characters with the most development and screen time. Now, does the usual unconscious bias of fans also hurt matters? Ab-so-fucking-lutely. But fans also aren’t writing in a vacuum. They’re building off the original work, and some of the flaws of the original are going to come through.

It’s amazing to see how this post has grown and the amazing additions to it.

Now THIS is fandom discourse worth reading

But also, it’s worth pointing out that fandom does itself create cultures and trends which feed into one another.

I honestly think that’s actually where the Lorax fandom on tumblr came from. Around about the time it came out was when fan creators were getting really good at meshing together computer animated films in the form of GIFs and fan videos, combining movies like Rapunzel, Brave, How to Train Your Dragon, and Rise of the Guardians into stuff like the Rise of the Brave Tangled Dragons mash-ups. Fandom were expressly looking for content from pretty, high-budget animated films. Edits and mash-ups subsequently lead to ideas, which creates fic and fanart, and this new content becomes a source of fuel and interaction for further fandom escapades. However, if you don’t have the technical skills to make the necessary video and image edits, you’re probably just going to end up jumping into whatever fandom has content you’ve seen/accessed, and doing stuff like roleplay blogs, fics, headcanons, etc for that one. Hence, Onceler blowing up Tumblr.

Teen Wolf became a fandom sensation in part because it gave teens who had been interacting with the Supernatural fandom an outlet that was geared more towards their interests, and gave Supernatural fans fresh content with a familiar formula. A lot of what happened in Teen Wolf fandom was built off of trends that had been established in Supernatural fandom. And SuperWhoLock, like Rise of the Brave Tangled Dragons and other fandom mash-ups, was a result of lots of crossover between fans that made it easy for people to just move around between those fandoms, and, with a wide audience and lots of content being created, to also contribute something with a certain degree of guaranteed success and attention.

But this networking creates trends that are problems, too. Namely, the established nature of slash fandom and the way in which it manifests means that a lot of people just expressly go looking for two white dudes in any major franchise, and then start shipping them together. Slash is a fandom genre unto itself now, and people know how it works and what to expect from it, so they perpetuate it and look to mainstream content to provide specific tools for it – regardless of what got them into it in the first place. Even when there are other viable and prominent alternatives in media, even when things get more diverse, the ‘slash fans’ now look for specific elements to reshape in particular ways for an audience who knows how to look for it. Rather than seeing two characters in the series and feeling inspired to ship them, they instead look for the basic elements that appeal to them (and it’s not just slash that does this, either, among M/F pairings, villain x heroine is commonly subjected to this).

This can also happen inadvertently when a series is building off of an existing fandom, like when the Star Trek Reboot came out, and new fans had a plethora of existing Kirk/Spock fanfiction to sink their teeth into. Or when Iron Man came out and, even though a Captain America movie hadn’t even been hinted at, the Steve/Tony ship saw a dramatic upswing in interest, and previously tiny archives of fanfiction started to blow up.

Fandoms have had issues with racism, homophobia, misogyny, etc just the same as mainstream fiction, but in different ways and with unique trends that have carried through and impacted one another. Fandom is not purely reacting to the source material – it’s also reacting to the rest of fandom, and to the fandoms around it. Usually that’s the missing factor in people’s data. Why would Iron Man/Captain America become a huge ship for a movie that didn’t even have Captain America in it? Even a minor appearance in the actual film should have put someone else over the top, and even if we go ‘fandom was too sexist for Pepper and too racist for Rhodey’, there was still Happy. But that discounts the influence of fans from the comics influencing the rush of movie fans, and also the existing fandom content for the Steve/Tony ship.

So fandom has its own media trends that mean that a lot of people now look to mainstream offerings just for specific content that they can bring back to fandom in ways they find entertaining. Shippable hot dudes. Villain x heroine or hero x rival or ‘best friend’ dynamics that fit easily with ship formats. Unfortunately, this can actually cause catastrophe when the mainstream media finally breaks form and does something diverse, because even people who want to manipulate those elements don’t necessarily know how to work with something that isn’t staring at a baseline of ‘zero’ in terms of representation. And trying to apply fandom concepts that all operate under the presumption of a mostly white, straight, cisgender cast can backfire SPECTACULARLY when you’re not actually working with that.

subsilvernight:

I call upon the fan fic writing gods to bless you with the perseverance to finish one of your unfinished drafts. 

May your fingers dance along the letters upon your device with ease, may the devil of distraction stay far from you, and may your work not need much editing.

I pass this blessing upon every fan fic writer out there.

wintrymix:

sleepingexplorer:

221bloodnun:

love-in-mind-palace:

green-violin-bow:

lockedinjohnlock-podfics:

dorkilybeautiful:

k-vichan:

mittensmorgul:

prairiedust:

hazeldomain:

prairiedust:

hazeldomain:

whitmerule:

soupernabturel:

majesticduxk:

So last week I tried moaning every time I ate something delicious.

It was vaguely uncomfortable and unnatural

I actually love the idea of doing this trying out fanfic/literary cliche’s out in real life, kinda wanna make up a list and undertake it as a challenge.

don’t forget to make your butthole flutter today

Guess someone’s eye color from 20 feet away.

Be careful with these. I started reading fanfiction three years ago and now I have to toe my shoes off to get my feet out.

But do you pad across rooms? 

Yes but I often give away my position when I huff.

FYI, I’m smirking at all y’all.

I’m resisting the urge to card my fingers through everybody’s hair.

This is as good a time as any to admit that right now I smell like coffee, sandalwood soap, and something uniquely myself.

Ah, but are you holding a breath you are unaware of?

I just stretched lazily and showed a strip of pale skin where my t-shirt rode up but there was no-one here to stare at it, speechless, so I don’t know if it even counted

I sigh thousand times a day. Hope that is enough.

I was forced to tear my eyes away, yet drawn toward this by my body’s own volition.

i have ghosted my fingertips across countertops, along my own jawline, down the curtains’ edges. i am ghosting them across the nape of your neck, right now.

I love this post so much I want to lick a hot stripe across it.