I’ve reblogged this so many times because I truly think every parent should involve themselves with what their child enjoys.
Not to mention this is an act of solidarity. He’s saying “even if the entire world is against you, I’m on your side.” Which I think is important for a kid to know. He’s refusing to be a bully to his child, even if he doesn’t understand.
I work at Hot Topic and we had a white suburban dad in who was buying matching heavy metal/screamo band shirts for him and his teenage daughter and said “To be honest, I think this stuff sounds like garbage, but she likes it so we listen to it together and we’re going to the concert for Christmas.” And it was just really heartwarming to see him so involved in his child’s life and validating her interests.
I WILL NEVER NOT REBLOG THIS.
“I don’t get it, but I love how you love it” is one of the best things anyone can say. My entire family asks questions about comics because they want to share my enthusiasm for them and support me, even though they otherwise wouldn’t pay attention to the industry at all.
I cried when I first saw this
This is amazing and really important
I went though a goth faze in my teens (like most) and I wanted more than anything to paint my room black. My mom was supportive of my personal expression in terms of my clothes and hair and accessories but she was genuinely concerned about the toll a black room would take on my mental health (I was already prone to recurring depression at that point and still am). I begged for months to repaint my room, but she wouldn’t budge.
One weekend i spent with my dad and when I came back she had repainted my room. A beautiful deep blue on three walls (my favourite colour), lovely sky blue on the ceiling,and one wall was black. The black wall had been sanded smooth and painted with several coats of chalkboard paint. She gave me a couple boxes of chalk and told me to have at it. I LOVED that black wall and wrote on it every day. I drew on it, I doodled, I wrote out my favourite emo song lyrics, wrote reminders for myself, anything I wanted. It was my favourite part of my room and was something that it would have never occurred to me to ask for. It was something only my very creative and clever mom could have come up with and I’m still grateful to her for it.
In retrospect, a room of black walls would indeed have been encouraging a reacurrence of my depression and my moms answer was the perfect compromise. That black wall ended up being the most colourful part of my room.
Wow this is really beautiful. You have a great mom
“In the spring of 1940, when the Nazis overran France from the north, much of its Jewish population tried to escape the country towards the south. In order to cross the border, they needed visas to Spain and Portugal, and together with a flood of other refugees, tens of thousands of Jews besieged the Portuguese consulate in Bordeaux in a desperate attempt to get that life-saving piece of paper. The Portuguese government forbade its consuls in France to issue visas without prior approval from the Foreign Ministry, but the consul in Bordeaux, Aristides de Sousa Mendes, decided to disregard the order, throwing to the wind a thirty-year diplomatic career. As Nazi tanks were closing in on Bordeaux, Sousa Mendes and his team worked around the clock for ten days and nights, barely stopping to sleep, just issuing visas and stamping pieces of paper. Sousa Mendes issued thousands of visas before collapsing from exhaustion.
The Portuguese government—which had little desire to accept any of these refugees—sent agents to escort the disobedient consul back home, and fired him from the foreign office. Yet officials who cared little for the plight of human beings nevertheless had a deep reverence for documents, and the visas Sousa Mendes issued against orders were respected by French, Spanish and Portuguese bureaucrats alike, spiriting up to 30,000 people out of the Nazi death trap. Sousa Mendes, armed with little more than a rubber stamp, was responsible for the largest rescue operation by a single individual during the Holocaust.”
—Homo Deus: A Brief History of Tomorrow by Yuval Noah Harari
I will never forgive them for cutting out this scene.
Tumblr app doesn’t show this gif set but I already know what it is. No need to hesitate to reblog.
And he did this just before a road trip, stuck in the car with his parents asking what he was thinking.
The look of utter defiance Dudley gives Vernon as he steps over the fence though
And how he does it really slowly as well as if to say “What you gonna do about it huh?”
The phone rings. It was an absurd wedding gift from his father in-law, and one which much to Harry’s surprise, had actually worked when he’d plugged it into the landline. Arthur had taken to phoning him on it, just for the pure novelty of the thing—though how they’d managed to get a BT engineer out to the Burrow without causing an incident, Harry doesn’t know. He’s not sure he wants to.
“Hello?”
“Uhm,, is this…is this the Potter residence?”
There’s a beat of silence as Harry adjusts the receiver against his ear, not quite sure he’s heard who he thinks he has. “…Dudley?”
“Yea…uhm, Harry?”
“Dudley.” Harry repeats numbly, turning to look at Ginny who is looking at him expectantly, eyebrows raised. “Uh…Christ, Dudley, hi how did…how did you find this number?”
There’s another beat of silence and the crackle of static that might have been a sigh or simply just the line breaking up. “Hi, sorry I know you probably…sorry this was stupid. I uh, I put your name in the computer and this was the only thing that came up.”
“Oh.” Harry breathes, still trying to recover his equilibrium. Ten minutes ago he’d been using his wand to clear away dinner, he’d been getting ready to sit down and read through some reports before putting the kids to bed, and now somehow, he’s talking to his muggle cousin who he hasn’t seen since… “How, how are you?”
“Good, yea” Dudley replies, seeming to rally, “You?”
“Yea, uh, doing well…”
The conversation lasts maybe a half hour, faltering and awkward. But they’re going for a coffee at the end of the week and Harry supposes…that’s…that’s a thing that is happening.
*
“Harry…”
Harry turns and looks up, and looks up some more at the looming figure blocking out the light.
“Dudley,” he says, standing up and hoping the pang of something awful doesn’t show on his face. For a moment he thought he’d been looking at Vernon. “It’s good to see you.”
Dudley gives him a look that says he clearly knows Harry is lying, but is thankful for being humored. “You too, you’re looking good…”
They pass the first few minutes with awkward pleasantries and even more awkward silences. But it’s…nice would be too strong a word, but it’s not bad either. He even manages to get a smile out of him when he calls him Big D, the other man shaking his head with a self depreciating eye roll.
“Dad died,” Dudley says after a while, and Harry feels an icy hot flash go down his spine, curdling in his gut.
“Oh,” he says, not quite sure how he’s supposed to feel about that, “I’m sorry to hear that.”
Dudley snorts into his coffee. “Somehow I doubt it.” and it’s not accusing, but Harry still can’t help but feel like he should defend himself. The words they locked me in a cupboard are on the cusp of his tongue but Dudley gets there before him. “There’s a lot of things…looking back…lot of things…” and it’s not an apology, not really. “Took me a long time to realize certain things weren’t right…too long.”
Harry nods at that, because yes, it had also taken him a long time too to understand the full of extent of what had gone on in 4 Privet Drive. He still doesn’t like tight spaces.
“You realize things though, when you have kids,” Dudley carries on, shaking his head, “Like they’re just kids, how can you do that to a kid? They need you for everything.”
And Harry can relate to that too. Lily is three and Ginny is pregnant again and James already has an alarming alacrity for finding trouble and with or without magic Harry doesn’t have enough hands to deal with it all. But he loves it, and he loves them, and the thought of anyone ever treating his children the way he remembers his first eleven years of life is enough to make the electric lights over their head flicker.
“You’ve got kids?”
“Two,” Harry says, “third one on the way. You?”
“Nice. Just the one, so far.” He hands over his phone, the image of a bright young girl with dark skin and tight ringlet curls staring back at him from the grasp of Dudley’s arms. “Effie.” He smiles ruefully at Harry’s obvious surprise. “Dad wasn’t too happy about that either.”
“She’s gorgeous.” Harry says, handing the phone back and pulling out his own wallet to reveal the moving pictures inside.
Dudley flinches a bit at that, but he guffaws broadly when he spies James. “Cor, he don’t half look like you. No glasses though.”
“No,” Harry says, pushing his own glasses back up his nose. “He’s got his mother’s eyes, thankfully.”
“Actually, Harry, there was something I was hoping we could…talk about.”
And ah, there it is. “What about?”
“It’s…it’s about Effie…”
And when he’s done talking Harry just wants to lean back and laugh and laugh and laugh, because of course Vernon Dursley’s granddaughter is a witch, of course she is. But he doesn’t, because Dudley is doing the one thing he can think of to try and help his child, and Harry can’t fault him for that.
*
They keep in touch after that. Christmas cards, postcards—gifts for the kids on birthdays. The year Effie turns eleven—the same as James—Harry drops a casually long thought out text into the familial void.
“Diagon A this weekend, if you’re up for it?”
The text comes back quickly, a little too quickly for the way Dudders pecks at his phone whenever Harry has seen him typing. “Snds gd, 1st pint on u 😉 – Big D 🍺🍺🍺👌👍”
It’ll be painfully awkward, it always is. But it’s something.
Feinstein: You’re a big, powerful man. Why didn’t you [gestures pushing motion]?
Crews: Senator, as a black man in America [sigh]…
Feinstein: Say it as it is. I think it’s important.
Crews: …you only have a few shots at success. You only have a few chances to make yourself a viable member of the community. I’m from Flint, Michigan. I have seen many many young black men who were provoked into violence, and they were imprisoned, or they were killed, and they’re not here. My wife for years prepared me. She said, “If you ever get goaded, if you ever get prodded, if you ever have anyone try to push you into any kind of situation, don’t do it. Don’t be violent.” And she trained me. I’ll be honest with you it was the strength of my wife who trained me and told me, “If this situation happens, let’s leave.” And the training worked because I did not go into my first reaction, I grabbed her hand, we left, but the next day I went right to the agency. I have texts, I have phone conversations, and I said, “This is unacceptable!” And I told them how -you know- I almost got violent, but I didn’t. And I said, “What are you going to do about this predator that you have roaming your hallways?” And -you know- I was told, “We are going to do everything in our power. We are going to handle this Terry. You’re right. It is unacceptable.” And then they disappeared. Nothing happened.
ok anyway, in im3, tony yells NO! right as, and maybe a little bit before, he fails to catch pepper’s hand (like as soon as that whole metal structure tilts), and not after. when rhodey’s falling in cap 3, tony yells NO! way before rhodey hits the ground, but not as soon as rhodey’s shot and starts falling
this makes me think of the im1 novelization: when tony uses the faulty flight power of the mark 1 to boost him out of the terrorist camp, he figures out mid-fall what his trajectory was and what would be the force of his impact against the ground or whatever. similarly, when that SI rocket lands right next to him during the ambush, the first thing he does is to consider the distance between him and the thing and he quickly concludes that he won’t be able to get out of the blast range
so now i’m emotional over tony’s seemingly preemptive cries of NO! in light of this thing where he’s constantly doing the math in his head. so for instance, with pepper, he’s ~relatively chill and reassuring and confident that he’s gonna catch her, up until that rig unexpectedly tilts – and that would be the moment when pepper veers off the trajectory tony had projected for her and he knows he won’t be able to adjust in time, so he starts crying out BEFORE we ever get the shot of him missing pepper’s hand. and then with rhodey in cap 3, he realizes rhodey is going down and goes back for him, and then the point at which he actually cries out would have been the point when the numbers clicked in tony’s head and he realized he wouldn’t be able to get to rhodey before rhodey hit the ground
and i’m in pain because if we’re to go with this, then we have tony grasping his failure before it even happens
wupacing 