We are the last generation who can hear from these survivors directly. Do not take that lightly. Do not waste that opportunity. Do not forget your freedom isn’t infinitely guarenteed. And do not, do not, let it happen again.
Really truly, watch the video, reblog it. Teaching about the holocaust is so necessary for our generation before it slips under the rug and people forget about it.
“Imagine a woman in the long skirts and high collar of the early 20th century standing in front of the painting she created. It is a massive piece—about 10 feet tall by 8 feet wide—and it is not a landscape, a portrait, a still life, nor a scene from myth or history. Dominating the composition is a bold yellow form reminiscent of a plant or sea creature, glowing amid colorful, biomorphic shapes and vigorous lines. This is just one of 10 such works that she has created almost entirely alone—sometimes walking on her work as she lays down the paint—and one of 193 radically abstract paintings that she has made in a few short years, between 1906 and 1915. None of these details fit with the story told in museums and art history courses. We know the first abstract painters so well that we often refer to them by last names alone: Kandinsky, Malevich, Mondrian. We know who is celebrated for doing “action painting” on giant canvases laid on the floor—Pollock. Each of these men has been lauded for opening a way into new territory. As it turns out, that territory had already been explored by another artist. Her name was Hilma af Klint.”
No, no, you have no idea. It actually IS the beginning of the whole so-called “kawaii culture”. And it started because girls started using mechanical pencils, which provided fine handwriting. After being banished (more precisely, during the 80s), this kind of writing started being used in products like magazines and make-up. And, during this time, icons we usually associate with the whole kawaii industry (like the characters from Sanrio) came to life too.
And what many people don’t realize is that this subculture was born as a way for young girls to express themselves in their own way. And it was also used as something against the adult life and the traditional culture, often seen as dull and boring and oppressive. By embracing cuteness, these young girls (and adult women, after a while) were showing non-conformation with the current standards.
So yep. Kawaii is important, and it all started with cute, simple handwritting a few hearts and cat faces in some girls’ school notebooks ❤
!!!!!
NO OK THIS IS SO IMPORTANT!
This is also how the kawaii fashions started! Girls began dressing in cute and off beat styles for themsleves, they were criticized by adult figures telling them “you’ll never find a husband if you dress that way!” to which they began to reply “Good!”
All the Japanese subcultures and fashions that evolved out of this became a rebellion to tradition and the starch gender roles and expectations the adults were forcing on the younger generations. As early as the 70s and still to this day you’ll see an emphasis on child-like fashion and themes in more kawaii styles and the dismissal of the male gaze with styles like lolita (a lot of western people assume lolita is somehow sexual due to the name of the fashion, but ask any Japanese lolita and they will tell you that men hate the style and find it unattractive which is sometimes a large reason they gravitate towards the style – they can express their femininity and individuality while remaining independent and without the pressure to appeal to men)
Its so so so important to understand the hyper cute and ‘odd’ fashions of Japanese girls carry such a huge message of feminism and reclaiming of their own lives.
so are you telling me that Japan’s punk phase was really the kawaii phase
The 1812 version of Snow White is even worse when you consider that the girl was only seven years old in the tale (plus her unconscious body ended up being carted around by the prince until one of his servants accidentally woke her up). Also, in The Little Mermaid, the mermaid’s unable to speak because she had her tongue cut out >__<
But I’d love to see faithful adaptations of the original tales. Especially Bluebeard. We need a Bluebeard adaptation.
Actually, the original-original pre-Grimm Brothers’ stories that were passed around Europe via oral tradition are nowhere near as violent as the Grimm’s made them. Cinderella’s stepsisters were never ugly and kept their eyes, Snow White’s mother was not even a villain (instead a group of bandits were), and instead of spending the whole story napping Sleeping Beauty outwitted a dangerous bandit leader, wouldn’t let him sleep with her, and saved herself.
The original oral stories were radically changed by the Brothers Grimm to fit their personal and political beliefs. Most notably, they often added in female characters solely for the purpose of making them evil villains and took away most of the heroines’ agency and intelligence. Both brothers belonged to a small fanatical sect of Catholicism that vilified women because of the idea of Original Sin and Wilhelm in particular had a particularly deep hatred of women. The Grimms were actually pretty horrible people. Those cannibalistic queens and ugly stepsisters and the mass amount of violence against women didn’t exist until the Grimms wanted them to. Their ideas stuck so soundly though that we now assume they were in the original tales and that these terrible characters and ideas come out of some perceived barbaric Old World culture. But in truth they’re really the Grimms’ weird obsession with hating women showing through. The original oral folklore focused on the heroes’ and heroines’ good deeds and used them as ways to teach cultural norms and a society’s rules and encouraged girls to be quick-witted and street-savvy instead of passive princesses, and the Grimms promptly stripped that all away.
“Grimms Bad Girls and Bold Boys” by Ruth Bottingheimer is an excellent book on this
Something to add to my reading list.
So this guy Franz Xaver Von Schonwerth collected all these fairytales and in the 2000′s they were discovered in an attic and published. Unlike the Grimm brothers, he did not edit anything. The Grimms deliberately edited the stories to fit middle class tastes – they also were trying to create a national identity with these tales as a touchstone. Meanwhile Von Schonwerth’s goal was documenting the Bavarian oral traditions – which is why he didn’t edit the stories in his notes.
And the stories are weird and intense. Some have the classic “beginning middle end + moral” – some are just “here’s stuff that happened….”
And some of the endings…you know that story about a weary soldier who performs three tasks and gets to marry the princess? In this book, the soldier is continually rejected by both the king and the princess, so he brings an army to burn down the entire castle with everyone inside. The end, lol.
The other interesting thing is that while the Grimms tales had mostly female protagonists, Von Schonwerth’s have as many boys trying to escape nasty situations as girls. There are boys who cuddle up with frogs to discover that the frogs are princesses, there are boys called “King Goldenhair,” there are brothers fighting, and fathers sending sons out to stop being a burden on the family. In the introduction, Maria Tatar posits that the Grimms, having suffered from being orphans, may have avoided these types of stories.
Anyway, if you like fairytales, The Turnip Princess book is worth the read.
end the concept that the grimms either invented or had the ‘original’ version
“For thousands of years, Judean date palm trees were one of the most recognizable and welcome sights for people living in the Middle East — widely cultivated throughout the region for their sweet fruit, and for the cool shade they offered from the blazing desert sun.
From its founding some 3,000 years ago, to the dawn of the Common Era, the trees became a staple crop in the Kingdom of Judea, even garnering several shout-outs in the Old Testament. Judean palm trees would come to serve as one of the kingdom’s chief symbols of good fortune; King David named his daughter, Tamar, after the plant’s name in Hebrew.
By the time the Roman Empire sought to usurp control of the kingdom in 70 AD, broad forests of these trees flourished as a staple crop to the Judean economy — a fact that made them a prime resource for the invading army to destroy. Sadly, around the year 500 AD, the once plentiful palm had been completely wiped out, driven to extinction for the sake of conquest.
In the centuries that followed, first-hand knowledge of the tree slipped from memory to legend. Up until recently, that is.
During excavations at the site of Herod the Great’s palace in Israel in the early 1960’s, archeologists unearthed a small stockpile of seeds stowed in a clay jar dating back 2,000 years. For the next four decades, the ancient seeds were kept in a drawer at Tel Aviv’s Bar-Ilan University. But then, in 2005, botanical researcher Elaine Solowey decided to plant one and see what, if anything, would sprout.
“I assumed the food in the seed would be no good after all that time. How could it be?“ said Solowey. She was soon proven wrong.
Today, the living archeological treasure continues to grow and thrive; In 2011, it even produced its first flower — a heartening sign that the ancient survivor was eager to reproduce. It has been proposed that the tree be cross-bred with closely related palm types, but it would likely take years for it to begin producing any of its famed fruits. Meanwhile, Solowey is working to revive other age-old trees from their long dormancy.”
Here’s a ten year update. The scientist, Elaine Solowey, has germinated and grown other ancient date palm seeds and there are a couple of female plants that Methuselah could pollinate.
In 1941, Manfred Lewin (left), a young Jewish man living in Nazi Berlin, made a small book of poems and pictures. He gave this book to his boyfriend, Gad Beck (right), as they waited out an air raid together.
Today, The United States Holocaust Memorial Museum has a beautiful online exhibit where you can view this book in its entirety, along with translations and additional information. It’s a wonderful little piece of queer history, and I encourage you all to check it out here.