krusca:

blue-author:

vermilionink:

soundssimpleright:

kyraneko:

fortheloveofplaid:

the most implausible thing about superhero movies is that these guys make their own suits, like seriously those toxic chemicals did NOT give you the ability to sew stretch knits, do you even own a serger

I feel like there’s this little secret place in the middle of some seedy New York business neighborhood, back room, doesn’t even have a sign on the door, but within three days of using their powers in public or starting a pattern of vigilanteism, every budding superhero or supervillain gets discreetly handed a scrap of paper with that address written on it.

Inside there’s this little tea table with three chairs, woodstove, minifridge, work table, sewing machines, bolts and bolts of stretch fabrics and maybe some kevlar, and two middle-aged women with matching wedding rings and sketchbooks.

And they invite you to sit down, and give you tea and cookies, and start making sketches of what you want your costume to look like, and you get measured, and told to come back in a week, and there’s your costume, waiting for you.

The first one is free. They tell you the price of subsequent ones, and it’s based on what you can afford. You have no idea how they found out about your financial situation. You try it on, and it fits perfectly, and you have no idea how they managed that without measuring you a whole lot more thoroughly than they did.

They ask you to pose for a picture with them. For their album, they say. The camera is old, big, the sort film camera artists hunt down at antique stores and pay thousands for, and they come pose on either side of you and one of them clicks the camera remotely by way of one of those squeeze-things on a cable that you’ve seen depicted from olden times. That one (the tall one, you think, though she isn’t really, thin and reminiscent of a Greek marble statue) pulls the glass plate from the camera and scurries off to the basement, while the other one (shorter, round, all smiles, her shiny black hair pulled up into a bun) brings out a photo album to show you their work.

Inside it is … everyone. Superheroes. Supervillains. Household names and people you don’t recognize. She flips through pages at random, telling you little bits about the guy in the purple spangly costume, the lady in red and black, the mysterious cloaked figure whose mask reveals one eye. As she pages back, the costumes start looking really convincingly retro, and her descriptions start having references to the Space Race, the Depression, the Great War.

The other lady comes up, holding your picture. You’re sort of surprised to find it’s in color, and then you realize all the others were, too, even the earliest ones. There you are, and you look like a superhero. You look down at yourself, and feel like a superhero. You stand up straighter, and the costume suddenly fits a tiny bit better, and they both smile proudly.

*

The next time you come in, it’s because the person who’s probably going to be your nemesis has shredded your costume. You bring the agreed-upon price, and you bake cupcakes to share with them. There’s a third woman there, and you don’t recognize her, but the way she moves is familiar somehow, and the air seems to sparkle around her, on the edge of frost or the edge of flame. She’s carrying a wrapped brown paper package in her arms, and she smiles at you and moves to depart. You offer her a cupcake for the road.

The two seamstresses go into transports of delight over the cupcakes. You drink tea, and eat cookies and a piece of a pie someone brought around yesterday. They examine your costume and suggest a layer of kevlar around the shoulders and torso, since you’re facing off with someone who uses claws.

They ask you how the costume has worked, contemplate small design changes, make sketches. They tell you a story about their second wedding that has you falling off the chair in tears, laughing so hard your stomach hurts. They were married in 1906, they say, twice. They took turns being the man. They joke about how two one-ring ceremonies make one two-ring ceremony, and figure that they each had one wedding because it only counted when they were the bride. 

They point you at three pictures on the wall. A short round man with an impressive beard grins next to a taller, white-gowned goddess; a thin man in top hat and tails looks adoringly down at a round and beaming bride; two women, in their wedding dresses, clasp each other close and smile dazzlingly at the camera. The other two pictures show the sanctuaries of different churches; this one was clearly taken in this room.

There’s a card next to what’s left of the pie. Elaborate silver curlicues on white, and it originally said “Happy 10th Anniversary,” only someone has taken a Sharpie and shoehorned in an extra 1, so it says “Happy 110th.” The tall one follows your gaze, tells you, morning wedding and evening wedding, same day. She picks up the card and sets it upright; you can see the name signed inside: Magneto.

You notice that scattered on their paperwork desk are many more envelopes and cards, and are glad you decided to bring the cupcakes.

*

When you pick up your costume the next time, it’s wrapped up in paper and string. You don’t need to try it on; there’s no way it won’t be perfect. You drink tea, eat candies like your grandmother used to make when you were small, talk about your nights out superheroing and your nemesis and your calculus homework and how today’s economy compares with the later years of the Depression.

When you leave, you meet a man in the alleyway. He’s big, and he radiates danger, but his eyes shift from you to the package in your arms, and he nods slightly and moves past you. You’re not the slightest bit surprised when he goes into the same door you came out of.

*

The next time you visit, there’s nothing wrong with your costume but you think it might be wise to have a spare. And also, you want to thank them for the kevlar. You bring artisan sodas, the kind you buy in glass bottles, and they give you stir fry, cooked on the wood-burning stove in a wok that looks a century old.

There’s no way they could possibly know that your day job cut your hours, but they give you a discount that suits you perfectly. Halfway through dinner, a cinderblock of a man comes in the door, and the shorter lady brings up an antique-looking bottle of liquor to pour into his tea. You catch a whiff and it makes your eyes water. The tall one sees your face, and grins, and says, Prohibition. 

You’re not sure whether the liquor is that old, or whether they’ve got a still down in the basement with their photography darkroom. Either seems completely plausible. The four of you have a rousing conversation about the merits of various beverages over dinner, and then you leave him to do business with the seamstresses.

*

It’s almost a year later, and you’re on your fifth costume, when you see the gangly teenager chase off a trio of would-be purse-snatchers with a grace of movement that can only be called superhuman.

You take pen and paper from one of your multitude of convenient hidden pockets, and scribble down an address. With your own power and the advantage of practice, it’s easy to catch up with her, and the work of an instant to slip the paper into her hand.

*

A week or so later, you’re drinking tea and comparing Supreme Court Justices past and present when she comes into the shop, and her brow furrows a bit, like she remembers you but can’t figure out from where. The ladies welcome her, and you push the tray of cookies towards her and head out the door.

In the alleyway you meet that same giant menacing man you’ve seen once before. He’s got a bouquet of flowers in one hand, the banner saying Happy Anniversary, and a brown paper bag in the other.

You nod to him, and he offers you a cupcake.

This is so awesome.

Actually, this is New York. Why hide?

Marvel had a plotline that there’s an old tailor who does suit design, fabrication, and repair. He sees heroes and villains on alternate days, and no one attacks or fights at his shop for risk of losing his business.

This was a Spider-man story, so of course the upshot of it was that no one had told Spider-man (they assumed he knew, or he just enjoyed making his own costume). Spidey’s sewing skills are also canon, and he’s sometimes expressed frustration/bewilderment that other heroes don’t know how to, mostly when he gets stuck with a sewing job that he assumes literally anyone in a custom costume could be doing.

(there’s a DC fancomic about this except the poor guy has to cater to villains)

trekmemes:

galahadwilder:

Please picture the following

Wonder Woman greeting T’Challa with the Wakanda Forever salute, but forgetting what happens when she clashes her gauntlets like that

Accidentally blowing him through three walls, a car, and M’Baku

He is, of course, completely fine, but that was certainly not the greeting he expected from the suddenly VERY apologetic Princess

Bonus: T’Challa runs back to Diana and does the salute again, channeling the power from the improved kinetic absorption and redistribution on his suit, and launches Diana straight into the sky. They laugh about it later.

apricotparrotmemes:

T’challa: Perhaps you are wondering, why I have called you here today. 

Bucky: *resignedly* Where’s the fight?

T’challa: Shit
dude no I just want you to explain how you talk to the love of your life
without freezing??? You’re super chill around Steve while I have to
practice for an hour before talking to Nakia???

loyaltykask:

thor-appreciation-blog:

wild-zamboni:

higglety:

wildnoutinwildemount:

unbothered-anoai:

thor-appreciation-blog:

Marvel: Are you ready for the GOD of motherFUCKING THUNDER?????? He’s six feet of RAW MUSCLE and his hobbies include SMASHING things with a HUGE, MAGIC HAMMER and being a generally SEXY BEAST

The fandom: 

10/10 gif usage

The funniest thing is I imagine Diana and Thor would get along very well, and bond over their dads being the head honchos of the gods. Also lightning and thunder! Diana would probably be like a slightly exasperated big sister to Thor at times. Oh and she can 100% lift Mjolnir and wield Stormbreaker.

and we all know how Thor feels about female warriors. he would think Diana is the absolute coolest

Mjolnir? Stormbeaker? If Thor met her he would absolutely gush over her Lasso of truth!! A weapon designed to have one last ditch effort to resolve a situation even when your opponent has already resigned to battle? One last chance to resolve the conflict before anyone has to get hurt? Even just the fact that it can grapple an enemy instead of kill them outright. Thor would be in awe of Wonder Woman. To Thor she is everything a leader should be, brave, strong, wise, and just like Thor she is enamored by humanity despite it’s flaws. Wonder Woman is Thor’s goals personified. She’s the leader he wants to be

Valid addition

Thor could think of all the shit he can get back at Loki with that rope

luminarai:

t’challa: shuri this is my new friend thor he lost an eye and needs a proper prosthetic

shuri: brother you can’t keep bringing home broken white boys and ask me to fix them

thor: my apologies princess shuri! I never meant to inconvenience you, I shall take my leave immediately –

shuri: shut up I already made you three new eyes this one has tiny lightning bolts that glow in the dark

thor: 😮

m

iron-legion-cyborg:

bundibird:

So I watched IM3 last night, and one part had me remembering the confrontation scene between Steve and Tony in Avengers 1 – specifically, the part where Steve says that Tony’s “not the kinda guy to lay down on a wire and let the other guys crawl over you.” Tony’s reply is “I think I would just cut the wire,” and Steve responds with “Always got an answer for everything,” or something like that.

And it just abruptly struck home how incredibly representative that scene is of Tony’s overall character. Because in IM3, in the space of four minutes of film, Tony “cuts the wire,” so to speak, twice.

First off, Rhodey tells Tony that they can either save the President and AirForce One, or they can save Pepper, but they can’t do both.

But Tony manages to do both. The options were “pick between the President and Pepper,” and Tony didn’t like those options, so he created a third option, and he managed to get to both AirForce one and Pep. He “cut the wire.”

And secondly, after all the staff have been sucked out of the plane and are falling to their deaths, and Tony flies after them:

“How any are there?” he asks JARVIS. “Thirteen, sir,” J replies. “How many can I carry?” Tony asks. “Four, sir,” is the answer.

Yet, again – Tony manages to save them all. He can only carry four, but that’s just not gonna fly as an option, so he creates another choice. Thinks outside the box, and runs a team effort game of barrel o’ monkeys and saves all 13.

And that’s just in four minutes of film. That’s not counting all the other times someone has told him “these are your options,” and Tony has replies with “cool, thanks, I’m gonna go with none of them,” and then goes off script ans creates a whole new, unique, successful option.

“I think I would just cut the wire ” “Always got an answer for everything.” Yes, actually. He kinda does.

And obviously, sometimes when the only option genuinely is to lay down on the wire and make the sacrifice play, he doesn’t hesitate to do that too: hi, nuke through a wormhole.

So yeah. Just got to thinking. Everyone quotes the “genius billionaire playboy philanthropist” line as a way to sum up Tony’s character, but I think the “I think I would just cut the wire” encapsulates him far better.

Me, a tired Tony stan: