bruce banner has 7 phds? thats so excessive.. if i met someone with 7 phds i would honestly just be like wtf is wrong with you? its not even the fact that it would take so much time and effort to get them its that there is literally no situation where 7 phds is necessary. thats never gonna happen. hes honestly gotta be so stupid to think for some reason he needs 7 phds.
this reads like a bitter scientist who is very jealous of dr bruce banner
this was ghostwritten by hank pym
Bruce Banner was broke as shit but really good at getting graduate assistantships/scholarships (less good at getting Real World Jobs) so he just went from PhD to PhD for like a decade, just churning out dissertations while weeping and muttering under his breath “i have no real-world skills i have no real-world skills i hAVE NO REAL WORLD SKILLS AAAAAAAHHH”
I guess that’s why he has anger issues. I can understand what so many years in academia has done to Dr. Banner.
Whenever he needs to hulk out he just thinks about his student loans.
Steve Rogers uses voice to text to send texts and formats them like a telegram
HEY BUCK STOP SAM AND I ARE OUT SHOPPING STOP WANT US TO PICK UP SOME TAKEOUT STOP
Steve rogers fully understands that this is not the correct way to text. He just likes the absolute outrage it causes every time someone receives a text from him and wants to see how many times he can make the same people explain texting to him until they realize. Sam is currently at 14 times, beating out tony who’s at nine. Twice now shuri has facetimed him after reading bucky’s texts. He’s also managed to convince thor that this is the Earth Way to text and it’s great
thor (2011) is an interesting movie to me because i think, despite a few flaws, the reason it never really took off the way iron man or cap:tfa did was because the audience it reached didn’t match the intended audience. the intended audience was so confused by what they saw because it didn’t reflect their ideal in terms of what they thought a thor movie would be, while the audience it ended up attracting claimed the empty spaces and turned their “sub-fandom” into something that practically rejected the fandoms of mcu!iron man and cap at that time
what i’m trying to say here, in essence, is this:
thor (2011) is a chick flick
to prove my point, i went to the world’s most trustworthy database on film analysis, urban dictionary, and found a few definitions obviously written by men
A film that indulges in the hopes and dreams of women and/or girls. A film that has a happy, fuzzy, ridiculously unrealistic ending.
word which refers to movies characteristically geered at young females in their twenties and late teens. Must include: love scenes, kissing, something sad, a happy ending
A sappy film that is generally geared towards women. It is always a love story, usually a comedy, and nausea inducing in men.
Term for a movie geared for women. Quite often seen on cable TV like The Hallmark Channel and endorsed by people like Oprah. These movies make women the heros and show life from a woman’s perspective. Most men hate these films cuz they are cheezy and dumb. Pussy-whipped men like them…or pretend to.
A movie that embodies all that is wrong with the world; a movie which displays a gross over-indulgence into, and exploration of, the workings of the female psyche and the accomanying emotional tendencies.
Pornography for women.
every complaint i have EVER seen about thor (2011) was about anything contained to earth: jane, darcy, not so much selvig, thor being hammer-less and learning to calm down and be gentle, women only liking it because hemsworth is a 6′3 outback steakhouse victoria’s filet mignon with twinkly dream eyes
but i think that’s because that’s the sentimental part of the movie, the emotional part. it’s driven by a romance and the intellect of a woman (arguably two). thor has to learn to get in touch with his softer side in a world that’s a bit more fragile than his own, furthermore there’s no other steaks– i, em, i mean men like him to balance out. there’s no male audience vessel in this movie
none
oh, you’re thinking selvig? i’m thinking not! there’s no male audience vessel.
men can’t relate to this movie
oh, you think they can relate to THOR? in the words of drax, “this is not a dude, you’re a dude. this… is a man”. thor is the ideal boyfriend figure, he belongs to everyone who wants a boyfriend, all the thor stans i know are women and/or like men, if you’re a thor stan and a straight guy i automatically have my suspicions and my eyes are guarded by red flags
#THOR 1 IS A SHAKEPEAREAN CHICK FLICK #THOR IS FOR WOMEN AND THE GAYS AND THAT’S JUST FACTS #the reason why thor’s been called unrelatable for so long was #cos cishet dudes could not fucking relate to him #COS HE A KING MADE OUT OF SUNSHINE WHO LEARNS AND APOLOGISES #FOR HIS MISTAKES #SOMETHING THEY’RE INCAPABLE OF (via @spacefloozy)
You had me at
hemsworth is a 6′3 outback steakhouse victoria’s filet mignon with twinkly dream eyes
I don’t see a lie
I thought I would hate Thor when my sister made me go, and I was pleasantly disappointed. I still like that movie a lot.
WHY DOES EVERYONE ASSUME THOR DOESN’T KNOW WHAT HE’S DOING??! He literally smiles every time someone falls for his “I’m just a dumb jock” routine. Guys, he grew up with Loki, he went to university, he’s been alive for over a millennia. His flaw in the first Thor movie was that he had too much hubris, not that he was stupid.
He knows that he can play dumb and get out of any situation. Do you all not see that sheepish smirk he always does?
Thor: Ragnarok only confirms what the first two movies were hinting at – Thor is very intelligent and can even pull one over on Loki when he wants to. After the events in The Avengers, he knows Loki’s true feelings about him and that’s why he’s so emotional in The Dark World and why he’s always teasing him in Ragnarok.
@unstatedmartini: #i’m 200% sure that they had another game called Terribly Sorry#hey. let’s do Terribly Sorry.#no. it’s humiliating.#not for me it’s not.#*cue thor being fake-stupid and fake-clumsy and fake-drunk and real loud*#*loki following along waving his hands nervously* terribly sorry! oh dear! my brother can be such a brute! terribly sorry!#and they’re long gone before anyone realizes that the Important Magic Thingy or Super Secret Map is gone
ME, A NORMAL CONTRIBUTOR TO FANDOM: So let’s talk about the pedagogical implications Thanos’s snap would have on the Sesame Street curriculum within the greater MCU.
I don’t know how pedagogical it is, but I guess now I’m thinking about Bert sitting alone in a room, missing Ernie.
That is absolutely the emotional core of what a post-Snap episode of Sesame Street would be about (I feel like Bernice would be missing too, and Bert would try to play chess with Rubber Duckie?), but for the episode to function there needs to be something they’re teaching the audience besides ennui, and that is where I’m really stuck.
Because the emotional core wouldn’t stick if it’s not supported by the structure of the show! But it seems like the Snap destroys basically all structures in place. But that makes the structure of Sesame Street that much more necessary. And then I spiral like this for a while.
Disclaimer: I have not watched a full episode of Sesame Street in a long time
Big Bird has been waiting for the store to open for a very long time now. He’s a patient bird, and he knows about waiting his turn, but his watch has the big hand on the three and the little hand on the nine and he’s pretty sure that Alan usually open the store when the little hand is on the seven.
Finally, when the little hand goes all the way to the four, the door opens.
“Hi, Big Bird,” Chris says, his eyes red and puffy. “We aren’t going to open the store today.”
Big Bird doesn’t understand; Hooper’s store opens every day. “Why aren’t you opening the store, Chris?” Big Bird asks. “I need beakpaste, I’m all out.”
Chris just looks sad. “Big Bird, did you hear about The Snap?”
“No,” Big Bird says, and the way Chris is talking is very scary. He feels like he might need to sit down. “I don’t even know how to snap!”
Chris steps out form behind the door and gestures for them to sit on the stoop. When they’re settled, Chris takes a deep breath before he speaks. “Well, a bad man named Thanos came to Earth. Do you know about Thanos?”
“Yes,” Big Bird nods He heard some of the grownups saying that name. “He fought with the Avengers.”
“That’s right,” Chris says. “And the Avengers lost their fight. Sometimes, even when grownups try really hard, they can’t do all the things they want to do, and sometimes that means that bad things happen.”
“Did a bad thing happen?”
“Yes,” Chris says, taking Big Bird’s wing in his hand. “Because of Thanos, a lot of people are missing. And Alan is one of them.”
Big Bird has to think about that for a moment. He went missing one time, when he was a blue bird in a circus, but his friends found him and brought him home. But something about Alan’s face tells Big Bird that this isn’t the kind of missing where your friends can find you.
“Is Alan dead, Chris?” Big Bird asks. “I remember when Mr. Hooper died.”
“The honest answer is that we don’t know. He might be. Or he might just be missing.”
Big Bird tries to understand that. “Missing?”
“Yeah,” Chris says. “He might come back some day, and he might not. We just don’t know.”
Big Bird wants to cry. He loves Alan, and he doesn’t want any of his friends to be missing. “Is anyone else missing?”
“Yes,” Chris says. “Some of your friends may be, or their parents, or yours cousins and uncles and aunts. A lot of people are. And it’s very scary.”
“What can we do?”
Chris is crying a little, a few small tears pooling at the side of his eyes, and Big Bird wants to do something, wants to say something, but he kinda feels like crying too, and doesn’t know what will help. “I don’t know,” Chris says. “I think the only thing we can do is be here for each other, and love each other, and take care of each other. When things are scary, and when bad things happen, the most important thing to do is look around at the people who are still here, and try to do your best for them.”
Big Bird nods. “Hey Chris?”
“Yeah, Big Bird?”
“Do you want a hug?”
Chris nods. “I would very much like a hug, thank you.”
Big Bird does the only thing he knows how to do; he opens his wings and wraps them around Chris, doing his best to be there for the people who are still with him.
Hey, quick question, WHAT THE FUCK WHY WOULD YOU DO THAT OH MY GOOOOOOOOODDDDDDDDDDDDDD
wupacing 