healingdoesntcomequickly:

nerapalooza:

micdotcom:

Watch: The most wonderful moment of joy came when he entered a Nazi guard bungalow.

We are the last generation who can hear from these survivors directly. Do not take that lightly. Do not waste that opportunity. Do not forget your freedom isn’t infinitely guarenteed. And do not, do not, let it happen again.

Really truly, watch the video, reblog it. Teaching about the holocaust is so necessary for our generation before it slips under the rug and people forget about it.

queerasfact:

In 1941, Manfred Lewin (left), a young Jewish man living in Nazi Berlin, made a small book of poems and pictures. He gave this book to his boyfriend, Gad Beck (right), as they waited out an air raid together.

Today, The United States Holocaust Memorial Museum has a beautiful online exhibit where you can view this book in its entirety, along with translations and additional information. It’s a wonderful little piece of queer history, and I encourage you all to check it out here.

yeinesomemdarre:

tikkunolamorgtfo:

jewish-privilege:

brainstatic:

“Don’t call Trump supporters nazis, it hurts their feelings.”

Yes, this is real (link to tweet). Yes, Tucker Carlson is literally repeating Nazi propaganda that aided the genocide of the Romani during the Holocaust. Yes, I am furious. 

(Also, although there is a large population of Romani in Romania, they aren’t indigenous to Romania. They’re a diasporic group originally from northern India.)

Romani and Jewish have been screaming at the top of their lungs for years about neo-fascism in Europe, and Americans were totally aloof.

Then neo-fascism reared its head in America, but Roma and Jews were left out of the conversation in terms of people being impacted, because our oppression was “over.”

Now Tucker Carlson is on live TV using slurs and Nazi propaganda about Romani people, and I’m 90% most people on the left are just going to ignore it.

It’s fucking starting y’all. It’s happening again.

If you’re not Jewish or Roma PLEASE BOOST THIS.

spookytransgirl:

Woke up to this. If you are unaware, Nationalist is code word for Nazi. White Nationalists are Nazis with a different name. They are for “ethnic cleansing” which means Genocide. Nazi announces he is a Nazi.

And he wants to get rid of trans/non-binary folks. The same thing first happened back then when Nazis took down the Institut für Sexualwissenschaft (Institute of Science of Sexuality). They had so much data about trans folks in general and Nazis burnt it down with all the records and data. This is how a fascist regime starts.

For more info: 

https://en.wikipedia.org/wiki/Institut_f%C3%BCr_Sexualwissenschaft#Nazi_era

Go out and vote. Vote in everything. Your vote fucking matters.

Why You Should Actually Be Terrified Right Now

lastxleviathan:

staneclectic:

raedusoleil:

It’s what happened to Jews in Germany in 1938 when their passports were declared invalid. That is what is beginning to happen here, now, to Hispanic citizens along the U.S.-Mexico border.

Oh, is it bad to compare the GOP to Nazis? Well, if members of the GOP do not like being compared to Nazis, they should consider not behaving exactly like Nazis.

Hispanic U.S. citizens, some of whom were in the U.S. military, are not being allowed to renew their passports. This is reportedly happening to “hundreds, even thousands” of Latinos, according to a report in the Washington Post. They’re getting letters from the State Department saying it does not believe they are citizens. The government claims their citizenships are fraudulent. “I’ve had probably 20 people who have been sent to the detention center—U.S. citizens,” Jaime Diez, an attorney in Brownsville, told The Washington Post.

The Washington Post also reports on ICE officials coming to citizens’ homes and taking their passports away. This is an escalation from a few months ago, when Americans were detained by ICE officials just for speaking Spanish to one another.

The administration is currently launching an effort to take citizenship from people who they suspect of fraud in obtaining it. Fraud in these cases is exceedingly rare. The last time the government tried to strip people of their citizenship was, according to Columbia Professor Mae Ngai, during The Red Scare of the 1950s. As Ngai remarks, McCarthyism is not typically remembered as a good period in American history.

There is good reason to believe that this could portend still worse things to come for the U.S. Hispanic population, unless people begin to speak out loudly, and fast.

First, they came for the Hispanics and I did nothing.

Then they came for (fill in the blanks) and I did nothing.

Then, when they came for me, there was no one to do nothing.

GUYS.

SILENCE IS COMPLICITY.

IT WILL HAUNT NOT ONLY YOU BUT YOUR CHILDRENS CHILDREN.

DONT BE SILENT. PASS THIS AROUND. Let everyone know it’s happening!

Why You Should Actually Be Terrified Right Now

map-is-not-a-real-word:

8ophie:

her name was freddie oversteegen!

Freddie Oversteegen, Dutch resistance fighter who killed Nazis through seduction, dies at 92

The Dutch resistance was widely believed to be a man’s effort in a man’s war. If women were involved, the thinking went, they were likely doing little more than handing out anti-German pamphlets or newspapers.

Yet Freddie Oversteegen and her sister Truus, two years her senior, were rare exceptions — a pair of teenage women who took up arms against Nazi occupiers and Dutch “traitors” on the outskirts of Amsterdam. With Hannie Schaft, a onetime law student with fiery red hair, they sabotaged bridges and rail lines with dynamite, shot Nazis while riding their bikes, and donned disguises to smuggle Jewish children across the country and sometimes out of concentration camps.

In perhaps their most daring act, they seduced their targets in taverns or bars, asked if they wanted to “go for a stroll” in the forest — and “liquidated” them, as Ms. Oversteegen put it, with a pull of the trigger.

“We had to do it,” she told one interviewer. “It was a necessary evil, killing those who betrayed the good people.” When asked how many people she had killed or helped kill, she demurred: “One should not ask a soldier any of that.” […]

theactualcluegirl:

keire-ke:

princessnijireiki:

nabyss:

benepla:

benepla:

marvel is disney’s forever cash cow! it appeals to children, teens, and sweaty adults! it’s all quite loud and colorful, with the same safe formula every time, but with different directors and tweaks to make it whatever the fuck memorable each time. plus the reliance on violence to push the plot will give them those dank US military checks until explosions go extinct. truly we live in horrific times but i don’t really care 

thank u all for letting me know the military quit cutting checks for the MCU after Avengers because they got offended bc the fictional magic men are an alternative to the american military. i’m sorry i was misinformed but more importantly that’s really, really, really, really, really fucking funny

Really (about military)?😕 I am not even surprise because Captain America The Winter Soldier is lowkey critic of it.

They actually namedrop Operation Paperclip in Winter Soldier, which shocked me when I watched it the first time— when Zola talks about how the Nazi-analogue group Hydra survived in plain sight, with direct approval from the US government on top of its infiltration into the government itself.

Operation Paperclip irl was a (now declassified) government ratline program where the US selected notable Nazi scientists, engineers, etc., to sponsor for American immigration with new identities to protect & hide their old identities, sparing them from punishment for their war crimes so long as they continued their work here on behalf of the American government rather than the Third Reich.

I remember watching the film & going, “Ah, so that’s why there’s fewer government vehicles & military extras than is the standard for scenes of this scale, they gave up the DOD money.”

All of which—

  • positioning Captain America in direct opposition to a fake government agency infiltrated by fake Nazis & saying that the Nazis corrupted everything so badly that he had to throw the whole agency away…
  • and then that pissing off real government & military officials, who methinks doth protest too much;
  • (because those military personnel were/are still touchy over public perception of what the US gov’t. actually did during & after WW2, versus the myth of American heroism pushed by mainstream media & public education in this country; the truth disrupts the status quo, even with make believe Nazis, and thus unacceptable)
  • and who then decided to take away funds they had previously earmarked for this franchise back when they were happy to use it as positive propaganda/for recruitment & advertisement

is, in fact, really, really, really, really, really fucking funny.

(1) I didn’t think I could love Winter Soldier more, and yet here we are,

(2) At the same time subsequent movies keep pushing Good Guy With Gun as The Only Reasonable Way, so clearly someone is still trying to score. :/

Also, another “amusing” tidbit about Operation Paperclip: Most of those scientists were settled at NASA think-tanks, almost all of which ‘just happened to be’ in the South. Jim Crow country, to be exact, and some of the same places that are seeing the sharpest outbreaks of Neo Naziism today.

Because racist Nazi grandpas are heroes to racist Nazi grandkids on the US dime, don’tchaknow.

ruelukas22:

thebibliosphere:

blood-on-my-french-fries:

suzie-guru:

freekicks:

pyrrhiccomedy:

pyrrhiccomedy:

The famous La Marseillaise scene from Casablanca.

You know, this scene is so powerful to me that sometimes I forget that not everyone who watches it will understand its significance, or will have seen Casablanca. So, because this scene means so much to me, I hope it’s okay if I take a minute to explain what’s going on here for anyone who’s feeling left out.

Casablanca takes place in, well, Casablanca, the largest city in (neutral) Morocco in 1941, at Rick’s American Cafe (Rick is Humphrey Bogart’s character you see there). In 1941, America was also still neutral, and Rick’s establishment is open to everyone: Nazi German officials, officials from Vichy (occupied) France, and refugees from all across Europe desperate to escape the German war engine. A neutral cafe in a netural country is probably the only place you’d have seen a cross-section like this in 1941, only six months after the fall of France.

So, the scene opens with Rick arguing with Laszlo, who is a Czech Resistance fighter fleeing from the Nazis (if you’re wondering what they’re arguing about: Rick has illegal transit papers which would allow Laszlo and his wife, Ilsa, to escape to America, so he could continue raising support against the Germans. Rick refuses to sell because he’s in love with Laszlo’s wife). They’re interrupted by that cadre of German officers singing Die Wacht am Rhein: a German patriotic hymn which was adopted with great verve by the Nazi regime, and which is particularly steeped in anti-French history. This depresses the hell out of everybody at the club, and infuriates Laszlo, who storms downstairs and orders the house band to play La Marseillaise: the national anthem of France.

Wait, but when I say “it’s the national anthem of France,” I don’t want you to think of your national anthem, okay? Wherever you’re from. Because France’s anthem isn’t talking about some glorious long-ago battle, or France’s beautiful hills and countrysides. La Marseillaise is FUCKING BRUTAL. Here’s a translation of what they’re singing:

Arise, children of the Fatherland! The day of glory has arrived! Against us, tyranny raises its bloody banner. Do you hear, in the countryside, the roar of those ferocious soldiers? They’re coming to your land to cut the throats of your women and children!

To arms, citizens! Form your battalions! Let’s march, let’s march! Let their impure blood water our fields!

BRUTAL, like I said. DEFIANT, in these circumstances. And the entire cafe stands up and sings it passionately, drowning out the Germans. The Germans who are, in 1941, still terrifyingly ascendant, and seemingly invincible.

“Vive la France! Vive la France!” the crowd cries when it’s over. France has already been defeated, the German war machine roars on, and the people still refuse to give up hope.

But here’s the real kicker, for me: Casablanca came out in 1942. None of this was ‘history’ to the people who first saw it. Real refugees from the Nazis, afraid for their lives, watched this movie and took heart. These were current events when this aired. Victory over Germany was still far from certain. The hope it gave to people then was as desperately needed as it has been at any time in history.

God I love this scene.

not only did refugees see this movie, real refugees made this movie. most of the european cast members wound up in hollywood after fleeing the nazis and wound up. 

paul heinreid, who played laszlo the resistance leader, was a famous austrian actor; he was so anti-hitler that he was named an enemy of the reich. ugarte, the petty thief who stole the illegal transit papers laszlo and victor are arguing about? was played by peter lorre, a jewish refugee. carl, the head waiter? played by s.z. sakall, a hungarian-jew whose three sisters died in the holocaust

even the main nazi character was played by a german refugee: conrad veidt, who starred in one of the first sympathetic films about gay men and who fled the nazis with his jewish wife. 

there’s one person in this scene that deserves special mention. did you notice the woman at the bar, on the verge of tears as she belts out la marseillaise? she’s yvonne, rick’s ex-girlfriend in the film. in real life, the actress’s name is madeleine lebeau and she basically lived the plot of this film: she and her jewish husband fled paris ahead of the germans in 1940. her husband, macel dalio, is also in the film, playing the guy working the roulette table. after they occupied paris, the nazis used his face on posters to represent a “typical jew.” madeleine and  marcel managed to get to lisbon (the goal of all the characters in casablanca), and boarded a ship to the americas… but then they were stranded for two months when it turned out their visa papers were forgeries. they eventually entered the US after securing temporary canadian visas. marcel dalio’s entire family died in concentration camps. 

go back and rewatch the clip. watch madeleine lebeau’s face.

image
image
image

casablanca is a classic, full of classic acting performances. but in this moment, madeleine lebeau isn’t acting. this isn’t yvonne the jilted lover onscreen. this is madeleine lebeau, singing “la marseillaise” after she and her husband fled france for their lives. this is a real-life refugee, her real agony and loss and hope and resilience, preserved in the midst of one of the greatest films of all time. 

I remember when I first saw Casablanca, and being struck by this scene, and that was without knowing the history behind it or all that Madeleine Lebeau – and so many more refugees- had suffered. 

Do yourself a solid and watch this film. Watch this scene. And most of all, remember refugees, the ones who lived then and especially the ones who live now.  

I knew this movie, of course, it’s one of the mains from my mother’s list of movies you should see “At least once in a lifetime”, but I had never until now felt any desire to watch it.

It’s one of those movies where context and the (not so quite) subtle subtext are vitally important to understanding the importance of it, not only as a classic piece of film making (hokey old timey speech and all), but as a political and social commentary of the times, rooted fiercely in protest and a whole lot of “fuck you fascists”.

I never really got it until my father (raised by his Jewish grandmother who fled Austria with the clothes on her back and a single suitcase and swathes of dead loved ones left behind) sat me down and told me the full context of when the movie was made, what it was actually about and who it was made for.

It made his casual way of saying “here’s looking at you kid” whenever we skipped school to go to protest rallies (start of the Iraq war) all the more poignant for me. I just thought he was being an old man quoting the popular cult media from his youth. But it means so much more than that.

Cause here’s the thing about that iconic line from the end of the movie: you’ll find screeds and screeds of people talking about how he’s using it to flirt with her once last time and just how suave it is, alluding that it’s purely about her youth and beauty and his ever lasting love for her even though she’s married to someone else.

But that line? Had been in use for a good 50+ years prior to Casablanca gracing the screens. It’s a toast, a wish for your health. And the people watching would have known the significance of it, particularly the displaced Europeans knowing that they’ll likely never see their loved ones again.

Cause here’s looking at you kid– and the unspoken meaning behind it– one last time.

Rick isn’t just letting go of the love of his life in that scene. He’s using his position of power and privilege as an American with access to outside networks (predominantly crime related, but hey) to help her escape the country with her highly persecuted and sought after husband to a place of safety.

He had the option to just take her himself and run– and her husband even urges him to do so at one point. But Rick endeavors to get them both to safety, and he shows up armed to do so. He fights for their freedom even though he doesn’t have to. He goes from staunchly refusing to help them out of bitterness and cynicism, to realizing that if he doesn’t do something people are going to die. And he doesn’t just save the woman he loves, which would be oh so easy. He saves the man he hates too. Because he can, so he must.

The final scene ends with Renault (played by Claude Rains, an Englishman), head of the local police (and a character largely played for laughs), making the decision not to arrest Rick or anyone else involved when ordered to, actively defying the orders of a fascist. When he and Rick are walking away, he insinuates that he and Rick should join the French Resistance movement in
Brazzaville, and Rick again delivers the other iconic line from the movie: “Louis, I think this is the beginning of a beautiful friendship.”

Casablanca is about forging alliances in the face of tyranny. It’s about doing what is right, even though it goes against the law when the law is corrupt. It’s about being willing to give up your own liberties and comfort to preserve the things you love, even though it won’t directly benefit you. Hell, it might even kill you. But someone’s got to do it.

And yea, it’s old, it’s dated and a product of it’s time and it shows. There are times when the modern viewer will cringe and rightly so. But it was also incredibly out there for its time, when the world was going to absolute hell in a hand basket and it seemed like the walls were closing in, it held many important messages, but primarily: Resist.

So here’s looking at you, kids.

I did not watch the video, and read but a single, italicized word.

The sudden record scratch that sounded in my mind stilled all thought, as I realized

Somehow

Inexplicably

Through my entire childhood and (short) adult life

I had always thought

That Casablanca and Les Miserables were the same thing

And now I must live with the fact

That it almost took two decades

For me to find out otherwise