dark-siren:

tomhardydotorg:

Found Furiosa negotiating London traffic

okay but like how did this interaction go they’re both stuck in traffic looking out the window does Tom Hardy yell to this bus driver: FURIOSA! it’s ME MAX or does this awesome bus driver startle all her passengers by leaning out the window and yelling HEY MAX IT’S ME FURIOSA either way!!!! look at her blowing kisses! look at him all pleased i love this so much (via wildehack)

connor-bb:

saysomthngnicx:

queenc-x:

Ocean’s Eight is like “heterosexuality? I don’t know her”

OK BUT WHY IS NO ONE TALKING ABOUT THE FACT THAT SANDRA BULLOCK CAN SPEAK A FEW WORDS GERMAN? No one takes a not at this and it drives me mad BC shsisbsj

Well, the thing is, Sandra Bullock is as German as it gets. She’s got German citizenship, because her mom was German. Actually, there’s a homage to her mother Helga in Ocean’s 8 when Debbie’s standing in front of Danny’s grave. You can see one tomb saying “Helga Meyer” The only thing that doesn’t fit is the birth date, but I think the day of her death is accurate. In Germany, children born to foreign parents were not allowed to hold two passports and were forced to choose one nationality over another between the ages of 18 and 23. That’s why Sandy had to reapply for a German passport, which she did in 2009 when law’s changed. Sandra doesn’t only speak a few words. Her German is fluent. She did a whole speech in German. She barely has an American accent. In fact, when she talks, she sounds exactly like someone raised in Southern Germany, as she speaks a Franconian dialect. It’s the purest thing ever, and I guess most people don’t talk about it, because they know all this.

penfairy:

I was talking to someone about Fury Road today and they said ‘I just hated how it had no plot. They just left and then turned around and went straight back, it was so stupid’ and I think my soul was in danger of leaving my body because really – that’s the whole point. That’s the great message of Mad Max Fury Road – they need to leave and go back because they need to understand that the Green Place doesn’t exist. Valhalla doesn’t exist. There’s no better place waiting, no Eden to escape to, nowhere for Furiosa and the wives to run to. This world, broken and damaged and war-torn as it is, is all they have, and if they want a Green Place then they have to make it themselves. They have to choose peace. They have to choose love for each other. They have to take the seeds from the older, violent generation and start again. They have to destroy the oppressive power structures holding them back, capitalism and the patriarchy that Immortan Joe represents.

The Green Place was around them all along, and it takes this long, cyclical journey to understand that, both for them and for the audience. The circular narrative structure is an absolute work of genius, and the fact that the entire plot can be boiled down to “they leave and come back” is an indication of how well this works as an action movie – that the plot is simple enough so everyone can understand what’s going on while explosions are going off and cars are racing past at 100mph – yet it’s still incredibly rich and wonderfully complex too.

And what a pertinent message to send out – the generations before us killed the world and now it’s up to us to fix what’s broken. There’s no Green Place but the one we make ourselves, which will be born out of fire and blood and rise from the ashes of the old world.

sabotabby:

s4wdust:

plantconstellations:

i imagine getting my own place all the time and going down to the grocery store early in the morning before everyone else and to the coffee shop and having a really small place with wide windows and lots of plants and shelves of books and a tiny kitchen where i can make tea and noodles and a bed with a pile of blankets and just a place i can make uniquely my own or maybe a place i could share with someone but i just think about this place a lot idk

One of my professors is an extremely famous, well-known painter who has been in galleries since he was a young man in the 80s. He once asked me in class, “Alyssa, what are your dreams and aspirations for the future?”

You should have seen the puzzled look on his face when I described something similar to the post above.

“Why so humble?!” He laughed. “You know you’re talented, right? You could aspire to a lot more than that for sure.”

And I had to take that moment to explain to him that this is what my generation is given, this is how low our standards for happiness have to be. A humble existence, a small piece of the world for ourselves, and comfortable stability are just as out of reach for some of us as fame and reknown was for him in the 80’s. His face went somber immediately.

Millennials are killing the dream industry.

libertypical:

glumshoe:

The “excuse me, I’m passing behind you” touch men give you when they read you as male:

The “excuse me, I’m passing behind you” touch men give you when they read you as female:

The “excuse me, I’m passing behind you” touch your friends give you:

The “excuse me, I’m passing behind you” touch I give people regardless of gender

victorblinkenstein:

roachpatrol:

kinasty:

why are cis men so intimidated by women who dont conform to capitalistic beauty standards

According to basic evolutionary psychology, it’s because penises are extremely delicate; cismales must seek out the most dainty and nonthreatening mate possible to entrust their genitals to. Meanwhile, vaginas are really tough and durable, so there’s no such pressure on cisfemales. This is why so many women’s ideal partner is godzilla.

He stomps through the town to a coffee date

With the cis-fem human who wants to mate

Dateless people on subway trains

Scream bug-eyed as he looks in on them

Through the ripping metal and shattering glass

Gotta get through traffic, gonna tap that ass

Whoa-oh, he hopes she won’t say no

Go, go, Godzilla

Let your lizard love juice flow

Go, go, Godzilla

https://www.youtube.com/watch?v=9RTr8um4oJ8